“I thought that it would be easier to learn that if I worked in motion pictures. So I went to work with one motion picture producer who was developing a color system. This didn't do to me much good. All I did was pick filters for the camera.” IfsWould BeArtistColorEasierPicksCamerasProducersDevelopingFiltersMotion Pictures Author:John Hench
“Our job as actors, especially in front of a camera, is almost like textile artists. We spend so much time getting the right texture of yarn, and working out the color scheme, and binding off the weave, and making it just right.” JobsArtistActorsFrontsColorCamerasWork OutSchemesTextureBindingYarnTextiles Author:Anthony Heald
“In 1982 I bought the newly released Makina Plaubel 55mm fixed-lens camera. With this shift from 35mm to 6 x 7, I also changed from black and white to color. Later that year, I started my project on New Brighton called The Last Resort. However, the first project I shot in colour was composed of urban scenes from Liverpool. This image was on the second roll of film. It's the first good photo I made in this new chapter of my work.” YearsFirstsMadeLastsFilmBlackWhiteChangedColorSceneProjectsShotsCamerasFixedColourChaptersBlack And WhiteUrbanLensesResortsLiverpoolBrightonGood Photo Author:Martin Parr
“If I want a small take-everywhere camera, I prefer my iPhone 5, which has colors and tonal range superior to any DSLR or compact digital camera I've ever used at their default settings.” IfsWantUsedColorCamerasSettingSuperiorsSettingsRangeDigitalIphoneDefaultCompactDigital CamerasIphone 5 Author:Ken Rockwell
“To me, the camera is like a musical instrument. You use it to control the flow, shape, size and colors of images.” UseColorShapesFlowCamerasInstrumentsMusicalSizeMusical Instruments Author:Conrad Hall
“I think that I'm very old fashioned in terms of my film references and what appeals to me, in a way with camera moves and a depth of color to bring things to it.” ThinkingWayFilmMovingTermColorCamerasDepthAppealsOld Fashioned Author:Ashley Greene
“There's plenty of film out there, and quadrillions of cameras that use film - I don't think it makes much sense not to use it. The thing that's going out is the manufacturing of the paper. Incidentally, all these years my wife has told me that I'm color-blind.” ThinkingYearsUseFilmWifeColorPaperCamerasBlindMy WifePlentyGoing OutManufacturing Author:William Eggleston
“You cannot do everything you want with the 3D camera, it's too big, and the digital quality of those cameras is a little bit limiting. With film, you have a lot more subtly, like with highlights and color. In terms of sharpness they (both formats) are very close; but in terms of nuance, of color and contrast, film is far superior.” WantLittlesBigsFilmBitsTermQualityColorLittle BitCamerasSuperiorsDigitalContrastFormatNuanceHighlightsSharpness Author:Michel Gondry
“There still aren't enough[ roles for women of color]. And I'd say that's the case, not only for African-American women, but for all women in the Hollywood game. It's just slim pickings, and a very challenging time for us. I think that's why more of us need to work our way behind the camera in order to create roles that really illuminate who women are. We still have room for growth in that area, without a doubt.” ThinkingWayNeedsStillsEnoughOrderGamesGrowthChallengesRoomsBehindsRolesCasesDoubtColorAreasHollywoodCamerasAfrican AmericanSlimAmerican WomanAfrican American WomenChallenging Times Author:Jada Pinkett Smith
“It adds up, but I deem it all necessary, even the camera gear. I enjoy photographing the otherworldly colors and shapes presented in the convoluted depths of slot canyons and the prehistoric artwork preserved in their alcoves.” EnjoyColorShapesCamerasAddDepthGearsArtworkCanyonsPrehistoricConvoluted Book:Between a Rock and a Hard Place: The Basis of the Motion Picture 127 Hours Source: Between a Rock and a Hard Place: The Basis of the Motion Picture 127 Hours
“Cameras and lenses are simply tools to place our unique vision on film. Concentrate on equipment and you'll take technically good photographs. Concentrate on seeing the light's magic colors and your images will stir the soul.” SoulLightFilmVisionSeeingMagicColorUniqueToolsCamerasPhotographEquipmentLensesSeeing The Light Author:Jack Dykinga