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Drama Quotes

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Drama Quotes

“Packed with fascinating personal perspective and testimony, Michael Takiffs A Complicated Man wholly justifies its title. The book is far more than a kaleidoscopic oral biography of President Bill Clinton. Aspect by aspect, it guides us through the struggles of postmodern America, as the most ambitious baby boomer of his generation seeks to modernize the Democratic Party-and, as in a Greek drama, is fated to be destroyed. Veritably, an all-American saga, with a cast of thousands-favorable and unfavorable.”

“I can imagine no man who will look with more horror on the End than a conscientious revolutionary who has, in a sense sincerely, been justifying cruelties and injustices inflicted on millions of his contemporaries by the benefits which he hopes to confer on future generations: generations who, as one terrible moment now reveals to him, were never going to exist. Then he will see the massacres, the faked trials, the deportations, to be all ineffaceably real, an essential part, his part, in the drama that has just ended: while the future Utopia had never been anything but a fantasy.”

“To the question of writing at all we have sometimes been counselled to forget it, or rather the writing of books. What is required, we are told, is plays and films. Books are out of date! The book is dead, long live television! One question which is not even raised let alone considered is: Who will write the drama and film scripts when the generation that can read and write has been used up?”

“When I first started out, it was very, very difficult to even get in the room with directors or casting directors because they would see that I hadn't been to drama school and wouldn't want to see me. Now, I feel like it's changing. We have this new generation of a lot of writers, directors and actors who are just breaking through, and they're doing it for the passion.”

“Upon the publication of Goethe's epic drama, the Faustian legend had reached an almost unapproachable zenith. Although many failed to appreciate, or indeed, to understand this magnum opus in its entirety, from this point onward his drama was the rule by which all other Faust adaptations were measured. Goethe had eclipsed the earlier legends and became the undisputed authority on the subject of Faust in the eyes of the new Romantic generation. To deviate from his path would be nothing short of blasphemy.”

“Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.”

“The past is never dead. It's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity. Haunted by wrong turns and roads not taken, we pursue images perceived as new but whose providence dates to the dim dramas of childhood, which are themselves but ripples of consequence echoing down the generations. The quotidian demands of life distract from this resonance of images and events, but some of us feel it always.”

“I’m too young and ridiculous a person to speak for my generation, but I’d be happy to talk about my own experiences as a generation Y writer. I was raised by a generation of hippies. Throughout my childhood, teachers urged me to fight the establishment. My English teacher assigned Ginsberg and Kerouac and declared Bob Dylan “a genius.” My science teacher told me that television was “the new opiate of the masses” and bragged about never having owned one. My drama teacher made us perform Beckett.”

“I think it is a must for young people and generations yet to come, to understand, to feel, to touch, to almost smell the drama of what happened a few short years ago [the civil rights movement of the 1950s and 1960s]. So maybe, just maybe, we will never ever repeat this unbelievable time in our history. We have to tell it all, and make it plain, and make it clear, so people will never ever forget the distance we have come, and the progress we have yet to make.”

“Thus the great drama of universal life is perpetually sustained; and though the individual actors undergo continual change, the same parts are ever filled by another and another generation; renewing the face of the earth, and the bosom of the deep, with endless successions of life and happiness.”