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Fauns Quotes

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Fauns Quotes

“Throw the offerings!" Agnes and her husband had returned--- I could just make them out, clambering unsteadily down the hillside with their lanterns raised. In an act of ill-advised and entirely undeserved kindness, they had gathered up a handful of villagers to ride to the rescue of the idiot scholars who had tangled with the most fearsome of the local Folk, despite their warnings. A strangled sound escaped me, something between a sob and laugh. "Get back!" Eichorn shouted at the villagers. Rose was clambering to his feet, wheezing, for the fauns had released him to snatch at the "offerings" tossed their way by the villagers. I would have expected bloody hunks of meat, but instead, ludicrously, they seemed to be throwing vegetables--- carrots and onions, predominantly. How did it happen? The scene is a blur of noise and movement, to my memory. I believe I was laughing at the time--- yes, laughing. The image of those nightmarish beasts appeased by a hail of carrots was too much for my frayed composure, and for a moment it seemed this would become another story I told at conferences or to rouse a laugh from my students. For the Folk are terrible indeed, monsters or tyrants or both, but are they not also ridiculous? Whether they be violent beasts distracted by vegetables, or creatures powerful enough to spin straw into gold, which they will happily exchange for a simple necklace, or a great king overthrown by his own cloak, there is a thread of the absurd weaving through all faerie stories, to which the Folk themselves are utterly oblivious.”

CarrotsComicalRescuedOfferingsFauns
Book:Emily Wilde’s Map of the Otherlands
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“Considerable problems arose when one had to identify the physical process of intercourse with demons. This is clearly a most difficult point (as difficult as that of identifying the physical nature of flying saucers!), and Sinistrari gives a remarkable discussion of it. Pointing out that the main object of the discussion is to determine the degree of punishment these sins deserve, he tries to list all the different ways in which the sin of demoniality can be committed. First he remarks: There are quite a few people, over-inflated with their little knowledge, who dare deny what the wisest authors have written, and what everyday experience demonstrates: namely, that the demon, either incubus or succubus, has carnal union not only with men and women but also with animals. Sinistrari does not deny that some young women often have visions and imagine that they have attended a sabbat. Similarly, ordinary erotic dreams have been classified by the church quite separately from the question we are studying. Sinistrari does not mean such psychological phenomena when he speaks of demoniality; he refers to actual physical intercourse, such as the basic texts on witchcraft discuss. Thus in the Compendium Maleficarum, Gnaccius gives eighteen case histories of witches who have had carnal contact with demons. All cases are vouched for by scholars whose testimony is above question. Besides, St. Augustine himself says in no uncertain terms: It is a widespread opinion, confirmed by direct or indirect testimony of trustworthy persons, that the Sylvans and Fauns, commonly called Incubi, have often tormented women, solicited and obtained intercourse with them. There are even Demons, which are called Duses [i.e., lutins] by the Gauls, who are quite frequently using such impure practices: this is vouched for by so numerous and so high authorities that it would be impudent to deny it. Now the devil makes use of two ways in these carnal contacts. One he uses with sorcerers and witches, the other with men and women perfectly foreign to witchcraft. What Sinistrari is saying here is that two kinds of people may come in contact with the beings he calls demons: those who have made a formal pact with them – and he gives the details of the process for making this pact – and those who simply happen to be contacted by them. The implications of this fundamental statement of occultism for the interpretation of the fairy-faith and of modern UFO stories should be obvious. The devil does not have a body. Then how does he manage to have intercourse with men and women? How can women have children from such unions? The theologians answer that the devil borrows the corpse of a human being, either male or female, or else he forms with other materials a new body for this purpose.”

WitchesUfoJacques ValleeFaunsSexual ContactDemonialitySinistrariSylvans
Book:Dimensions: A Casebook of Alien Contact
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“The surrealist thinks he has outstripped the whole of literary history when he has written (here a word that there is no need to write) where others have written "jasmines, swans and fauns." But what he has really done has been simply to bring to light another form of rhetoric which hitherto lay hidden in the latrines.”

ThinkingNeedsWritingHas BeensDoneWholeLightFormWrittenLaysRhetoricSwansJasmineSurrealistFauns
Book:the Revolt of the Masses
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“Please let him come, and give me the resilience & guts to make him respect me, be interested, and not to throw myself at him with loudness or hysterical yelling; calmly, gently, easy baby easy. He is probably strutting the backs among crocuses now with seven Scandinavian mistresses. And I sit, spiderlike, waiting, here, home; Penelope weaving webs of Webster, turning spindles of Tourneur. Oh, he is here; my black marauder; oh hungry hungry. I am so hungry for a big smashing creative burgeoning burdened love: I am here; I wait; and he plays on the banks of the river Cam like a casual faun.”

GivingPlayHomeBigsEasyWaitingBlackCreativeBabyPleaseRiversGive MeSevenResilienceHungryGutsMistressCasualYellingHystericalWeavingSmashingRespect MeScandinaviansStruttingCrocusesFauns
Author:Sylvia Plath
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“You point your feet out too much when you walk,” Will went on. He was busy polishing an apple on his shirtfront, and appeared not to notice Tessa glaring at him. “Camille walks delicately. Like a faun in the woods. Not like a duck” “I do not walk like a duck.” “I like ducks,” Jem observed diplomatically. “Especially the ones in Hyde Park.”

WalksToo MuchFeetBusyWoodsApplesParksDucksJemHydeCamilleHyde ParkFauns
Book:The Infernal Devices: Clockwork Angel; Clockwork Prince; Clockwork Princess
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“. . .in August in Mississippi there’s a few days somewhere about the middle of the month when suddenly there’s a foretaste of fall, it’s cool, there’s a lambence, a soft, a luminous quality to the light, as though it came not from just today but from back in the old classic times. It might have fauns and satyrs and the gods and---from Greece, from Olympus in it somewhere. It lasts just for a day or two, then it’s gone. . .the title reminded me of that time, of a luminosity older than our Christian civilization.”

TwoLightMightTodayChristianLastsFallQualityGoneMiddleMonthsCivilizationTitlesClassicGreeceAugustMississippiLuminousOlympusSatyrsFauns
Author:William Faulkner
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