“I, a late riser, fantasise about getting up every morning at 5 A.M. to fetch the horses in from the fields.” MorningFieldsLateHorseEvery MorningFetch Author:Meg Rosoff
“The human mind prefers something which it can recognize to something for which it has no name, and, whereas thousands of persons carry field glasses to bring horses, ships, or steeples close to them, only a few carry even the simplest pocket microscope. Yet a small microscope will reveal wonders a thousand times more thrilling than anything which Alice saw behind the looking-glass.” MindHumansPersonsScienceNamesBehindsWonderSawsFieldsThousandHorseGlassesShipsPocketsHuman MindSimplestThrillingMicroscopesSteeples Author:David Fairchild
“There whil'st the world prov'd prodigal of breath, the headless trunks lay prostrated in heaps; this field of funerals sacred unto death, did paint out horror in most hideous shapes: whil'st men unhors'd, horses unmast'red, stray'd, some call'd on those whom they most dearly lov'd, some rag'd, some groan'd, some sigh'd, roar'd, promis'd, pray'd, as blows, falls, faintness, pain, hope, anguish mov'd.” MenWorldWarPainFallFieldsPrayingHorrorShapesRedHorseBreathsSacredLaysPaintBlowFuneralAnguishSighHideousRagsTrunksProdigalsHeadless Author:William Alexander, 1st Earl of Stirling
“Nathan Bedford Forrest ... used his horsemen as a modern general would use motorized infantry. He liked horses because he liked fast movement, and his mounted men could get from here to there much faster than any infantry could; but when they reached the field they usually tied their horses to trees and fought on foot, and they were as good as the very best infantry. Not for nothing did Forrest say the essence of strategy was to git thar fust with the most men.” MenWarUseUsedHistoryTreeFeetModernMovementFieldsEssenceHorseStrategyFasterCivil WarTiedAmerican Civil WarHorsemenInfantry Book:American Heritage History of the Civil War Source: American Heritage History of the Civil War
“The summer lasted a long long time, like verse after verse of a ballad, but when it ended, it ended like a man falling dead in the street of heart trouble. One night, all in one night, severe winter came, a white horse of snow rolling over Bountiful, snorting and rolling in its meadows, its fields.” MenHeartLongNightFallWhiteTroubleStreetsFieldsSummerLong TimeHorseWinterSnowVersesRollingSevereOne NightMeadowsBalladsWhite HorseRolling Over Book:The Peaceable Kingdom Source: The Peaceable Kingdom
“For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing.” PeopleFeelingsPastMovingLeftChurchSpaceViewsOne ThingFieldsMachinesHorseTrainDuesSurfaceFasterLandscapeRelativeConquestSuccessionUnfoldingSeemingExaggeratedHorizontalMotifsSpires Author:Robert Hughes
“I dreamed you a field of running horses, Selah. For you, Bianca, a balloon the size of the sky, my body a kite you can throw into the air.Pull me by string and horse.Tell me everything won't end in death. That everything doesn't end with February. Dead wildflowers wrapped around a crying baby's throat.I've slowed my heartbeat to three beats a minute. I've redrawn the clouds into birds, a fox chasing them into the mountains.I'm going to move my hand today.I vomit ice cubes.There's a ghost next to me.Get up, Dad.(Light Boxes)” EndsBodyHandsLightRunningTodayMovingThreeNextAirSkyMinutesCryFieldsBabyDadMountainBeatsBirdHorseCloudsSizeBoxesGhostGet UpIceStringsThroatFoxesChasingHeartbeatBalloonsFebruaryKitesCubesWildflowers Author:Shane Jones
“Let the painter composing narrative pictures take pleasure in wealth and variety, and avoid repeating any part that occurs in it, so that the uniqueness and abundance attract people to it and delight the eye of the observer. I say that a narrative painting requires (depending on the scene), wherever the eye falls, a mixture of men of diverse appearances, of diverse ages and dress, combined together with women, children, dogs, horses, buildings, fields, and hills.” PeopleMenChildrenEyeAgeTogetherFallWealthPleasureDogFieldsBuildingPaintingSceneHorseDressesDelightAppearancePainterVarietyHillsNarrativeAbundanceDiverseUniquenessObserversMixturesComposing Author:Leonardo da Vinci
“I like the idea of being a novelist. I picture myself on the coast, the wind in my hair, horses galloping around me as I sit at my typewriter in the middle of a field.” IdeasMiddleFieldsWindHairHorseNovelistsCoastTypewritersGalloping Author:Sara Cox
“You can lead a horse to water but you can't make him enter regional distribution codes in data field 97 to facilitate regression analysis on the back end.” EndsWaterFieldsHorseDataCodeAnalysisDistributionFacilitateRegression Author:John Cleese
“I had a hard time treating my field as if it’s horse racing, putting actors in competition against each other. I see how the industry and the studios feel it’s important, but I don’t really have a feeling for being in competition. I want to feel sympathetic and close to others, not opposed to them.” IfsWantFeelsImportantHardFeelingsActorsFieldsIndustryHorseCompetitionStudiosHard TimesRacingSympatheticHorse Racing Author:Alan Arkin
“American Rifleman and Field & Stream had ads for "varmint guns." Another varmint was a ground hog because a horse would be going along and he'd stick his foot in a ground hog hole and break his leg. So we were trying to prevent that, too. But we finally scared ourselves. We didn't realize we were nuts.” TryingWould BeRealizingBreakFeetFieldsGunHorseSticksScaredLegsHolesStreamsNutsAdsHog Author:Kurt Vonnegut