“The response to Pride has been so overwhelming. I mean, people have really loved it. And it's so rewarding because we had such a fun time making that film, and it was made with so much heart, that it's lovely that people seem to be responding in kind to that.” PeopleHeartKindMeanHas BeensMadeSeemsFilmFunPrideResponseLovelyOverwhelmingRespondingMean PeopleFun Times Author:Rosamund Pike
“Obviously, there's a big homage to Outland in Moon. I obviously had Ridley Scott's response, which was great. But Peter Hyams really loved Moon and was really enthusiastic about it. He was also enthusiastic about the fact we'd remembered Outland and had remembered it fondly. I think, for him, it was like some kind of edification that there were people out there who loved his film. So, that was a really lovely feeling.” PeopleThinkingKindFactsFeelingsBigsFilmMoonResponseLovelyRememberedPeterEnthusiasticHomageEdification Author:Duncan Jones
“You need philosophy. It sounds a little pompous but I think when you direct a film, the only way to find a response to the questions you keep asking yourself is to have a philosophy.” ThinkingWayNeedsLittlesPhilosophyFilmSoundDirectAskingResponsePompous Author:Michel Gondry
“I'm sure some people will say, 'Why do this?' And my response is, 'Why wouldn't you?' The film business in general is using a model that is outdated and, worse than that, inefficient.” PeopleFilmModelsResponseOutdated Author:Steven Soderbergh
“I grew up in the theater, and you can't improvise Shakespeare and Ibsen. You have to speak the language. But obviously, in a contemporary film, there's often room for improvisation and spontaneous things that happen. As long as I know what I'm trying to achieve in the scene, and when something comes up, I know that the response is genuine, I'm comfortable. That's really how I build everything.” KnowsTryingLongHappensFilmSpeakLanguageRoomsAchieveGrewSceneComfortableGrew UpTheaterResponseCome UpGenuineContemporarySpontaneousImprovisationIbsen Author:Victor Garber
“Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.” GivingMeanHas BeensMadeTodayAbleFilmEffortAttitudeComedyObjectsPaintingMassResponseCollectivesDisplayGallerySurrealismReceptionSimultaneousSalonsSlapstick Author:Walter Benjamin