“The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.” GivingLooksKindImportantActorsGivenWatchesDirectorsHappeningsPerformancesBunchIngredientsConstructsMovie Making Author:Joseph Gordon-Levitt
“To act out something or take chances in the performance is one thing. But in terms of a camera, whatever's captured is captured so that's a little more daunting. You know you can't go back next week and fix it. Whereas in a live audience you know it's so in the moment and you just go with what's happening. First of all you never have to see it again so you don't know if you were really fulfilling it or not.” IfsKnowsFirstsLittlesMomentsNextTermChanceAudienceOne ThingWeekHappeningsPerformancesCamerasFulfillingTake A ChanceCapturedNext Week Author:Lily Tomlin
“I don't believe that you can give the same performance every take. It's physically impossible, so why bother? If you don't do what is happening at that moment, then it's not real. Then you're holding something back.” IfsGivingBelieveRealMomentsImpossibleHappeningsPerformancesDon't BelieveBotherThat MomentWhy Bother Author:Bill Murray
“I like to think in camera, but at the last minute the most important thing is that there is something happening between the actors. But good actors can have a lot of scenes going around them but sometimes it sort of helps the performance because it takes their mind off of who they are supposed to be.” ThinkingMindImportantSometimesHelpingLastsActorsMinutesSceneHappeningsPerformancesCamerasImportant ThingsThings HappenSupposed To BeGood ActorsLast Minute Author:Audrey Tautou
“What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important.” IfsWorldWayTryingYearsLooksImportantHelpingSoundRoomsEnvironmentAchieveCarMastersHappeningsPerformancesEarsStudiosObjectivesIceDriversEngineersEquipmentLapWhat's ImportantYears Of Experience Author:Chris McCormack
“When you get to really involve yourself with a piece [script] and the other people and you get to feel like it's a community and you're all building something together, it helps me to produce better work, I think. And there's an exhaustion that happens on a film set - an exhaustion that translates into a relaxation and helps me to live in the moment, in the performance I'm giving and what's happening around me.” PeopleThinkingGivingFeelsMomentsHelpingHappensTogetherFilmCommunityPiecesProduceBuildingHappeningsPerformancesScriptsHelp MeTranslateLive In The MomentRelaxationExhaustionFilm SetBuilding Something Author:Jonathan Groff
“The thing I love about live performance the most, is that the doors are closed, the lights are turned down, and the audience has to be reverential to what's happening onstage.” LightAudienceDoorsHappeningsPerformancesDown AndThings I LoveTurned DownLive Performance Author:Cate Blanchett
“A lot of the people I'm working with are not actors, or it's their first time in a movie. I'm not trying to shape performances, coax performances out of them. It's more like I want to put them in situations that naturally work or allow them to be themselves. If it's not happening, I'll just completely switch it up, rather than trying to make it work.” PeopleIfsWantTryingFirstsActorsSituationShapesHappeningsFirst TimePerformances Author:Joe Swanberg
“When you go on a stage - or even in a café or a room - and you play it's all happening right then and there: the exchange, the art, the communication. Performance is in the moment.” ArtPlayMomentsRoomsStageCommunicationGoes OnHappeningsPerformances Author:Gail Ann Dorsey
“I wrote [Valley of Violence] entirely with James Ransone in mind. I get such a joy out of watching his performance and seeing people watch this. He's so great. The bravado thing and the foolishness, he does them both so well. It's weird because he's so hateable in the movie, but in the end, you're also going, "I feel bad for him." That's hard to do. It's hard to do that to where you're like, "This guy's the worst, but I know why he's the worst, so it's a shame this is happening." That's the whole thing.” PeopleKnowsFeelsMindWellsDoeEndsHardWholeJoyGuyWatchesViolenceSeeingWorstHappeningsPerformancesShameValleysFoolishnessThis GuyBravado Author:Ti West
“Gareth [Edwards] was very open to just shaping the performances and the scenes to fit what was happening with the actors and the storytelling that was emerging.” ActorsFitSceneHappeningsPerformancesStorytellingEmerging Author:Alan Tudyk
“'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.” WorldArtMomentsArtistStageHappeningsMachinesPerformancesPunkCagesScarceTransportArt WorldCombiningEdgyDo It YourselfEthosCrumblingTime MachinePerformance Art Author:Jerry Saltz