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Happenings Quotes

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Happenings Quotes

“In issues of recent ethnic wars and genocides - particularly if you look at Darfur - one of the most remarkable things is our inability to act, still, despite the years of analyzing and re-analyzing what it does to subsequent generations. We still find a massive inability to step in and step up to the plate, when genocide is happening as we speak.”

“The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.”

“The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock.”

“One of the things that I have seen change that warms the cockles of my heart is what is happening in the cosmetics industry. For years, they were doing horrible things to animals in the manufacture of cosmetics, and testing of the most barbaric types; today, if you go into a drugstore and go down the [cosmetics] aisle, look at how many of them say no animal testing. I've talked with people who work in the cosmetics departments, and they tell me, Without that, you can't sell them. And that's wonderful!”

“To a sprinter, the hundred-yard dash is over in three seconds, not nine or ten. The first 'second' is when you come out of the blocks. The next is when you look up and take your first few strides to attain gain position. By that time the race is actually about half over. The final 'second' - the longest slice of time in the world for an athlete - is that last half of the race, when you really bear down and see what you're made of. It seems to take an eternity, yet is all over before you can think what's happening.”

“We all experience it. Those moments when we gasp and say, Oh, look at that. Maybe it's nothing more than the way a shadow glides across a face, but in that split second, when you realize something truly remarkable is happening and disappearing right in front of you, if you can pass a camera before your eye, you'll tear a piece of time out of the whole, and in a breath, rescue it and give it new meaning.”

“In my books my characters experience things as they are. My books allow youth an honest look at important issues affecting them. As adults we want to believe things like sex abuse or drug use are not happening anymore, or happening less and less, but that's not the case and we need to acknowledge that. We can't make life prettier for youth, but we can arm them.”

“Everything that's happening in our world is a function of what is going on inside of people. We are violent in our minds. We are violent with one another. We walk past one another in the street and don't even look nor make eye contact - don't speak. We can be outraged about the missiles and the planes. I'm more outraged that somebody will walk past me in the street and not look me in the face and say good morning.”

“When you look at what is happening to our world-and it is hard to look at what's happening to our water, our air, our trees, our fellow species-it becomes clear that unless you have some roots in a spiritual practice that holds life sacred and encourages joyful communion with all your fellow beings, facing the enormous challenges ahead becomes nearly impossible.”

“A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.”

“Just keep acting is my plan, I just want to keep going for as long as I can. I've had a fantastic time on Potter, I will be very sad to leave it because every time I look back on one of these films, every scene I watch will be forever linked to a memory of what happened that day or something that was happening around that time in my life.”

“This is one thing that's very interesting, how the people on the left always talk about separation of church and state. When you look at the theocracies all across the Middle East, where we look at constitutions that are based upon the Qur'an, I don't think you want to see that happening in the United States of America. So it is a theocratic political construct.”

“What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important.”

“I've always written songs to use music as a form of therapy or as a way to look at my obstacles or my memories from a different perspective. It's always helped me realize the grass isn't always greener and how I need to live more in the moment. My songwriting is a documentation of whatever's happening in my life at that point in time.”

“I look for stories that tell transformative, emotional journeys, have big emotional worlds, feel very relevant and true to the times we're living in - even though they might be of a different time - have a sense of real intimacy with larger forces at work, where there's some kind of social injustice and inequity happening that needs to be conquered or addressed. I find historically that's the formula for a lot of successful operas.”

“I grew up with him [Michael Jackson] and I've spent a lot of time at Neverland and nothing has ever happened with me in any way. You have to look at both sides. I do think it is very convenient that his album came out and all this stuff is happening. I definitely do think that's very convenient... It really hurts me to see that his whole life is ruined.”

“And consequently, you have this rich looking film, which gives it this kind of muscular feel, deep focus, soft focus look. I'm not that great on development. I can see where things go wrong, but Beau, Carl and Mike Finch, they worked on it relentlessly. And then I would see the material and I would say, "Well, that just doesn't ring true. I don't quite know why that's happening."”