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Havens Quotes

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Havens Quotes

“Any day above ground is a good one. A woman's beauty is her inherent ability to better a man in every way. My father, now in heaven, is the watcher of birds. And his eye is on his sparrow. God, in his great silence, is still there. Of that I haven't a single doubt. Music is the balm that heals the ache of a forlorn star.”

“Of all natural forces, vitality is the incommunicable one. . . . Vitality never "takes." You have it or you haven't it, like health or brown eyes or a baritone voice.”

“about ten days ago I got started on a new book, and am completely, brazenly devoted to it: my hair is uncut, my letters are unwritten, the house is a shambles, and I sit here as happy as Mrs. Jellaby, though I am in 1836, not Africa. It won't go on like this, I shall fall over some obstacle, and wake out of my dreams with a black eye and broken shins: but while it does last, I daren't interrupt it. I haven't had such a spell of writing for nearly three years.”

“I found myself face to face with a long line of people resembling extras off the set of Night of the Living Dead: shuffling along, pale and twitching, empty cups in hand -- murderous. Miserable. No matter that the air was rich with vapors of fresh-ground beans and warm muffins; no matter that the soft piped-in Vivaldi poured over us like steamed milk. These angry zombies were rushing to work, and their eyes flashed fair warning: Don't mess with us. We haven't had our coffee.”

“My latest tendency is to collapse about 11:00 and with the tears flowing from my eyes or the gin rising to their level and leaking over, and tell interested friends or acquaintances that I haven't a friend in the world and likewise care for nobody.”

“I hadn't been there [Comic-Con] before. It's pretty eye-opening, when you haven't been there, just with the sheer amount of fans that are there for different shows and films. It's like a big fan symposium, in a way, as well a way for film studios and television studios to really promote their product to their loyal audience base. It was an experience.”

“Certainly as actors, and maybe as directors, you've got to hang on to something childlike. You've got to know what play is. I haven't worked with Mike Leigh, but I know him very well and there's something open in his eyes about what's in front of him. And the same is true of Alfonso in a Mexican, mad way. There's an enthusiastic response to something. Neil Jordan, the same, when he gets excited . You just want to know there's a human being in there.”