“The artist who pictures sounds as colours, who feels the difference in microns between one sea green and another... is not attending to what the world considers important.” WorldFeelsImportantArtistSoundDifferencesSeaGreenColourAttending Author:Eric Maisel
“I learned from Seurat this important thing about colour and light, that 'a light' can be built from colour. I learned a great deal about interaction, that 'a blue' in different parts will play all sorts of different roles.” ImportantDifferentPlayLightDealsRolesBuiltBlueImportant ThingsColourInteraction Author:Bridget Riley
“Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.” ImportantUseBeautifulSpiritualFormCertainSpaceToo MuchObjectsStrangeExpressionDecidedEternityPainterCraftsManifestationColourTreatmentExpensesMagnificentCanvasEmphasisOutlookSpectrumVergeInscrutable Author:Max Beckmann
“I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one's sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city.” FeelsFirstsHumansImportantCountryWholeLightInspirationLastsMovingFormLinesCitiesQualityGreaterSeaLandFiguresLandscapeColourHorizontalFirsts And LastsMoving PartsHorizontal Lines Author:Barbara Hepworth
“My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking truly through colour. Feeling that because of my illness I would not be able to paint very much longer, I worked like a man obsessed on these little 'Meditations' (a long series of small paintings he made during the last years of his life, with as main motif the schema of a face, ed.). And now I leave these small but, to me, important works to the future and to people who love art.” PeopleMenYearsLittlesLongArtMadeImportantFeelingsAbleLastsFacesSpiritualMeditationPaintingPeriodsSeriesPaintIllnessDeeperObsessedColourLast YearFormatMotifsImportant WorkSchemas Author:Alexej von Jawlensky