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Independent Quotes

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Independent Quotes

“Lesson number one in trying to develop the ability of independent thought: Understand that EVERYTHING the government says has the potential to be lies and deception. You can believe it's the truth only after you question, exhaust every avenue, and find that their story checks out. If you're a patriot, it's your duty to always question your government anyway, at every turn. A patriot is loyal to his country and his countrymen, not his government.”

“I think Santa Claus is, by and large, quite beneficial, for when the child is finally allowed -- or forced -- to recognize the nonexistence of Santa Claus, then the child is able to go through the vital intellectual process of reconstructing reality in light of new evidence, complete with back-forming new stories to account for past events. This prepares the child for many other disillusionments and gives her vital and well-supported experience in maintaining her grip on reality independent of the stories told to her at any given time.”

“I'm thinking of writing a children's story about a leaf on a tree who arrogantly insists he's a self-made, independent leaf. Then one day a fierce wind blows him off his branch and to the ground below. As his life slowly ebbs away, he looks up at the magnificent old tree that had been his home and realizes that he had never been on his own. His entire life he had been part of something bigger and more beautiful than anything he could have imagined. In a blinding flash, he awakens from the delusion of self. Then an arrogant, self-centered kid rakes him up and bags him.”

“First of all I have to ask myself what am I trying to say and who am I trying to tell the story to. So if it's just 300 words going in the Independent it's very much where, what, who and when - fantastic. If there's a little bit more scope, if I've been given 1500 words by the sports editor, and I can have a little bit of fun, then I need to maybe entertain, include some different stuff.”

“What you realize is it's not about financial success as an artist. A lot of actors and actresses, producers, writers, and the creative people in the business realize that. It's not about that. Yeah, we all want to be successful, but we all just want to create and we want to tell the stories. We want to continue creating the opportunities to be able to continue doing what we love. So, at the end of the day, I feel like it's a win-win for everybody to be able to make these independent films.”

“Child! Turn your face to the light, to the science, to the reason, to the truth, to the peace! Child! Be modern, be compassionate, be individual, and be independent! Child! Don't be the man of anyone or any system, don't believe in any religious stories, and don't ever be silent against any oppressor! Child, turn your face to the light and walk towards the light!”

“At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same.”

“When I was in New York I heard many people saying that the independent film industry was in big trouble. I was reflecting on this when I came home. Realizing that ever since I started filmmaking, people have being saying that. But somehow it keeps going. Filmmakers keep going. We need stories to make sense of the world and some people like me are driven to tell them. I have faith this will always be possible.”

“I don't know what the misconceptions are, but I approach a small budget, artsy, independent movie in the same way as a big budget, commercial Hollywood movie. I don't get into those [details]. I have to get into my character and I concentrate on that, on the story, on researching, and on certain training if I have to be prepared physically. I think that's the most important thing.”

“I think most of the time with independent films, you don't know where it's gonna end up. I've done a number of films that may never see the light of day, so it ends up being exclusively about the content, material, the characters and the story. Things that you maybe wouldn't get an opportunity to do otherwise. So, as an actor, obviously it's so different.”

“At the beginning of the book [The Dissemblers], Ivy [Wilkes] has a long way to go in order to achieve self-sufficiency. Although she is very independent, even somewhat of a loner, she is very affected by other peoples' opinions. At the opening of the book, her ideas of success and achievement are largely defined by the approval of others; over the arc of the story, I think that begins to change a little.”

“Don't be satisfied with stories, how things have gone with others. Unfold your own myth.”

“Jo's breath gave out here, and wrapping her head in the paper, she bedewed her little story with a few natural tears, for to be independent and earn the praise of those she loved were the dearest wishes of her heart, and this seemed to be the first step toward that happy end.”

“We must first realize that dancing is an absolutely independent art, not merely a secondary accompanying one. I believe that it is one of the great arts. . . . The important thing in ballet is the movement itself. A ballet may contain a story, but the visual spectacle . . . is the essential element. The choreographer and the dancer must remember that they reach the audience through the eye. It's the illusion created which convinces the audience, much as it is with the work of a magician.”