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Independent Quotes

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Independent Quotes

“The biggest change for me as a mom was realizing I needed to put someone else before me. Now the hardest part about the empty nest is learning to put myself first. I know that I have raised my sons to be big, strong, independent men who love God, themselves and care for others. I have to learn to let them have space and learn without me.”

“America's Christian conservative movement is confronted with this divide: small-government advocates who want to practice their faith independent of heavy-handed government versus big-government sympathizers who want to impose their version of 'righteousness' on others through the hammer of law.... Our movement must avoid the temptations of power and those who would twist the good intentions of Christian voters to support policies that undermine freedom and grow government.”

“I do like working on independent films where it is a smaller budget and less pressure. The pace is also quicker than that of a big budget film. You are shooting at a fairly fast pace. Sitting around for three or four days can be quite draining. So I guess in terms of film or television, I would say filming an independent feature.”

“If we can sell out a venue that's just as big as this in Omaha, if we can sell out DePaul in Chicago tomorrow, which looks like it's going to happen for 1100 or 1200 people, then obviously everyone will know that we can affect between 700 to 1000 people at a time in damn near every city in America, then I think that's a good start. It also tells people, and gives them an example, how independent hip-hop is able to do this without gigantic corporate support.”

“My mom taught me the power of love. I learned to focus on the long-term big picture from my father. His sense of humor and light-hearted approach always make me smile. My husband is a pivotal anchor in my life. His influence encourages me to be independent and take risks.”

“Well, the whole trick to doing an independent film, is to keep great pace and momentum. You're shooting maybe three times as many scenes in one day that you would on a big, luxurious budget on a luxurious schedule, and you try not to sacrifice quality for that. Things are just compressed, but essentially the same.”

“Independent film making is very collaborative. You feel like it's you, the director and other actors and you really feel like you have the final say. When you do the bigger films, the studio has to give the final thumbs up and they're usually not big on risk taking because they're trying to make money.”

“I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.”

“When I was in New York I heard many people saying that the independent film industry was in big trouble. I was reflecting on this when I came home. Realizing that ever since I started filmmaking, people have being saying that. But somehow it keeps going. Filmmakers keep going. We need stories to make sense of the world and some people like me are driven to tell them. I have faith this will always be possible.”

“I don't know what the misconceptions are, but I approach a small budget, artsy, independent movie in the same way as a big budget, commercial Hollywood movie. I don't get into those [details]. I have to get into my character and I concentrate on that, on the story, on researching, and on certain training if I have to be prepared physically. I think that's the most important thing.”

“The Problem is: many terrific women have made themselves overqualified for the job of wife, because many men are looking for a woman with 'receptionist-level wife skills', not 'CEO-level wife skills'. Meaning: If a woman doesn't hang on a man's every word, is too independent, challenges his leadership, wants to create her own hours, demands emotional raises, then there won't be as many openings for the kind of wife position she is seeking. One of the big problems with marriages in the nineties: no room for two husbands.”

“I almost feel like its an obligation to not further the status quo if you become somebody with influence and exposure. I dont want to paint the same painting again. I dont want to make the same sculpture again. Why shouldnt a big movie studio be able to make those small independent kinds of pictures? Why not change it up?”