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Indie Author Quotes

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Indie Author Quotes

“She hates my music,” Cary told Vegas as he climbed into their chauffeured SUV. Vegas turned his head. “What?” “Tyler Robertson.” His tone became impatient as he went on, “She hates my music, Vegas. It’s kind of obvious.” He shrugged. “What the fuck do you care?” “What did she say? Does she think I’m a has-been?” His biggest fear in life was becoming obsolete. His records weren’t selling like they used to and hit singles were few and far between. He’d rather die than have his new love interesting thinking he was passé. “She hasn’t said anything.” Vegas arched an eyebrow. “At least not to me. What’s gotten into you, man?” Cary slid down in his seat and scrolled through his phone. “Nothing,” he said dismissively, not wanting to talk about it even though he’d been the one to bring it up in the first place. Tyler was the first woman in years, maybe ever, who’d made him feel insecure.”

“It's a difficult path that we tread, us Indie self-publishers, but we're not alone. How many bands practicing in their dad’s garage have heard of a group from the neighbourhood who got signed by a recording company? Or how many artists who love to paint, but are not really getting anywhere with it hear of someone they went to art school with being offered an exhibition in a gallery? How many chefs who love to get creative around food hear of someone else who’s just landed a job with Marco Pierre White? There’s no difference between us and them. There is, however, a huge difference in how everyone else perceives the writer. And there’s a huge difference between all of us – the writers, the musicians, the composers, the chefs, the dance choreographers and to a certain extent the tradesmen - and the rest of society in that no one understands us. It’s a wretched dream to hope that our creativity gets recognised while our family thinks we’re wasting our time when the lawn needs mowing, the deck needs painting and the bedroom needs decorating. It’s acceptable to go into the garage to tinker about with a motorbike, but it’s a waste of a good Sunday afternoon if you go into the garage and practice your guitar, or sit in your study attempting to capture words that have been floating around your brain forever.”

“I think of book development like cooking spaghetti. There are many ways to cook it, but the basic ingredients should be present: The pasta, and the sauce, and the cheese topping! If you’re a fabulous cook, and you plan on selling spaghetti to earn extra income, it should be obvious to you that there are a lot of other places where it is sold, and you would have to convince people that your spaghetti is better than the others. You’d do this by making sure that the noodles are perfectly al dente, the sauce is tasty, and to give it an edge, you’d make it cheesier, put it in a nice container, and maybe add a sprig of parsley on top to add to the appeal. You wouldn’t serve it on the floor and tell people to go on and taste it because it’s truly delicious, and that you have slaved for many hours perfecting the taste. Packaging and appearances are important, as much as the taste. In publishing, you could be the next great writer, but if you don’t present your words in the most appealing way possible, especially in this highly competitive industry, I doubt anyone would bother to read it except your friends and family, if at all.”

“More than once, Liuani had heard how a difficult analysis of a scan had been resolved merely by handing it over to Rysal for a second opinion. She was talented in identifying the patterns that others would miss. So in the end, Liuani had to admit to herself that she was inclined to accept that if Rysal said there was something there, then it was likely that there was something there.”

“This pattern keeps repeating itself: murders happen, the murderer is caught and confined. They are never successfully rehabilitated, none have ever admitted to remembering or consciously committing any of the murders. The murders stop happening while they are confined, but once they die, within one to one-and-a half cycles, it starts happening again.”

“Moving slowly and silently as she always had when entering this house, Lynn made her way into the living room. Or what she’d remembered as the living room. As she looked around, the only things left were the cracked and peeling paint and the blackout curtains made obsolete by boarding the property. Lynn closed her eyes and took a deep breath of the dusty air to settle her feelings.”

“First they told me: “build a following and the industry will follow.” So I spent my entire 20s building a following on zero budget, getting by on donations. Then they told me: “You need a literary agent. But a literary agent wants to see you have a following and something big going on.” So I started my own small press and self published 5 books and spent day and night connecting with my people until I’d sold over 35,000 copies in 35 different countries and now they tell me: “no agent wants to work with a self published author.” Sometimes I feel like I was doomed from the very start, the very day I sat my food on that plane to London 12 years ago. Like the whole world keeps saying “you can fight all you want but we won’t let you in.” But I do have freedom and I do have my following and I have vulnerable souls writing to me on Friday nights, about loss and hope and how my books or music or words played a small part in something they went through and sometimes I think I would throw all that away just to have a literary agent and a management and the contracts and headlines… because I’m tired.. of always fighting uphill.. but then I get that message, on a Monday night, and I take my computer to a bar close to where I live in Berlin, high above the city, and I write like never before because I have my people and vulnerable souls to find and I have so many books in me and time is not endless, time is crucial, and lately I’ve felt it running out, some nights, so I’m writing another book that won’t be noticed by the agents but I have my people and that’s all I will care about from now on. My people and my freedom, with time running out. That’s what I will focus on.”

“Are you honest enough to share? Would you or could you add an AI statement of Use, or a note on AI and writing tools you used for your book? I think that would be a major challenge for so many today who are typing in simple short prompts to create complex 200 plus page books and then claim they wrote them.”

“The Library of Congress is owed two copies of your book. U.S. copyright law (17 U.S.C. § 407) requires every published book to deposit two physical copies of the best edition at the Library of Congress within three months of publication. Most indie authors do not realize the obligation exists. The requirement sits in the statute regardless of whether anyone chases it. How to comply: send two copies of the best edition. If the book is published in both paperback and hardcover, the Library is entitled to two hardcover copies; paperback-only releases satisfy the deposit with two paperbacks. Copyright registration and the mandatory deposit are separate actions, and completing both is the cleanest path. Mail copies to: U.S. Copyright Office, Library of Congress, Washington DC, with the LCCN or PCN application if applicable.”

“The investment committee may be the most important committee within any plan sponsor or other investment-type organization.”

“The importance of the role of the plan sponsor cannot be emphasized enough. The decisions made at this level can significantly add to or subtract from pension and investment assets.”

“I won’t say that the majority of investment committees are dysfunctional; however, I also can’t say that the majority are functional.”