“I think people like listening to what I call trippy music but maybe next year it will be something else. I still have gangster tracks and real-life stories and situations in my music. I’ve been blessed because over 20 year, I never stopped doing what I was doing. It’s pretty much the same thing and I’ve never really changed anything up.” PeopleThinkingYearsStillsRealStoriesNextSituationChangedListeningBlessedTrackReal LifeNext YearGangstersLife StoryTrippy Author:Juicy J
“I'm from the generation that's always been recording, from the very beginning. I learned to play the guitar on the four-track. I started listening to music at a time when people were doing recording at home, when the discussion about songwriting correlated to the discussion about producing and engineering. I think that's a description of my generation.” PeopleThinkingPlayHomeFourGenerationsListeningGuitarTrackDiscussionDescriptionSongwritingEngineeringListening To MusicMy Generation Author:Sufjan Stevens
“If you go to Japan, they're still buying vinyl, and they want the education. They know who's playing on what tracks from the '60s and the '70s - who the guitar player is, who the drummer is, who the producer was, what studio it was recorded in. That's how I grew up listening to music. We bought albums. We read the liner notes. It was important to know the whole history behind it.” IfsKnowsWantStillsImportantWholeBehindsPlayerListeningGrewGrew UpNotesGuitarTrackAlbumsStudiosProducersBuyingJapanListening To MusicDrummerGuitar PlayerVinyl Author:Lenny Kravitz
“I come from both sides of the spectrum: I grew up listening to hip-hop and R&B then learned how to make a track by tapping a bowl with a fork. I'm trying to compress all of my experiences all of the time.” TryingSidesListeningGrewGrew UpTrackHip HopHipsHopsBowlsBoth SidesSpectrumForksTapping Author:Lotic
“Most of the EDM tracks right now are not very musical, they have one note that keeps playing. You really don't need to be a musician to do records like this, so I think me playing guitar for so many years and listening to rock 'n' roll and real music helps me when I work with vocalists like Lana Del Ray and Miley Cyrus.” ThinkingNeedsYearsRealHelpingRecordsRocksListeningRight NowMusicianNotesGuitarMusicalTrackHelp MeRaysRock N RollPlaying GuitarVocalistReal MusicMileyEdm Author:Cedric Gervais
“I think my favourite song on the album [Second Hand Rapture'] is 'Head Is Not My Home', I love the vocal melody and it's such a power hit of a track. Every time it pops on I like listening to it, I'm really drawn to it.” ThinkingHomeHandsSongListeningTrackAlbumsPopsMelodyFavouriteVocalRaptureSecond HandFavourite Songs Author:Lizzy Plapinger
“If I want to be moved by the track, I don't want it to be sequenced, I want it to be somebody playing the guitar or piano or a horn arrangement where you can hear the breath. You can almost smell the studio while listening to the music. For me, that's what moves me emotionally, that's what I came from. I think that's always going to work best for me.” IfsThinkingWantMovingListeningBreathsMovedGuitarTrackStudiosSmellPianoArrangementsGoing To WorkHorns Author:Eric Benet
“I have intentions as a writer, but people - when they're listening to a track - will take from it what they interpret.” PeopleListeningIntentionTrack Author:Kate Bush
“When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape. I always record everything, even a run through where you're trying to get in tune. That's a principle because sometimes when the situation isn't clear interesting things happen, and they are worth listening to again.” TryingSometimesRunningInterestingSituationListeningTrackThings Happen Author:Brian Eno
“The fun part, I will admit this much, there is a period when listening to my music is fun, and that's when I'm making it. There's a tiny little window before something gets old, but after it's come to fruition. There's a little window there where I can listen to a song probably about five times, and I'll really think it's awesome. That's kind of the period that lets me know when I - 99 percent of the time, that period is right about whether a song is going to be a keeper for an album or just a throwaway track that never gets - in that little window.” ThinkingKindSongFunListeningMusic IsWindowLet MeTrack Author:RJD2
“I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.” HousePlayerListeningTrackAestheticDrummer Author:Katie Stelmanis
“Elton John can be a master of the sleight of hand. The arrangements make it seem like there are substantial melodies underneath the tracks - but almost nothing demands repeated listenings. Similarly, he always sounds like he's singing up a storm, but his voice glosses over the material, reducing most things to an uninteresting sameness.” HandsSeemsSoundVoiceMaterialsMastersListeningDemandSingingTrackStormMelodyArrangementsReducingSamenessGlossSleight Of Hand Author:Jon Landau