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“Right now, the technological world plus God or spirituality is evolving. I think America has become a little bit too corrupt, government's a little too corrupt, too greedy. Many corporations are too greedy. The labor unions are too greedy. That effects charities and religious organizations. I just think it's greed. That's why, in 1985, I had to figure out how to give before I received. The more I focus on giving, for less and less, the more and more I make.”

“Good genre movies are a little bit like trying to write a haiku. There are certain things that you have to do to fulfill the audience's expectations, but inside that, you have complete freedom to talk about whatever you want. Who wants to see a movie about gun violence in America and class? But, if you set it in this terrifying, fun, roller coaster ride of a movie, you can talk about whatever you want. That's been the game that genre movies play, when they do it well.”

“I always loved horror as a kid. On the one hand, I really love monsters, because in a way I feel like I related to their outsider status and like the sentimental romantic plight of the monster. More importantly though I feel like people are completely motivated by fear, especially with our political system here in America which is just degenerating into more and more fear mongering and it gets in the way of real discourse, plus it's just something I'm obsessive about and have always been a little bit of a paranoid guy.”

“I think if you're a liberal, you believe that we all are, at least to some extent, our brothers' keepers, you really believe that we have a sumptuary responsibility to make sure that life is decent for everybody in America, that you believe that society out to be broadly shared, and you believe that you can't have a real democracy unless you have a little bit, at least, of economic democracy.”

“In the culture of America, in a free culture, you get what you celebrate. And in this culture, we have two obsessions, become a group that becomes a group that celebrates sports heroes and entertainment heroes. There's no room left for kids to see even a little bit of the opportunities to really, really get excited about becoming an inventor, an engineer, or a scientist, a problem solver.”

“I'm running out of time, and a Western is America's answer to a Greek tragedy, so that's what we did. [Kiefer] hired Brad [Mirman] to write the script and he had the ideas, and then he and I did stuff on the script to make it a little cleaner to ourselves. And then, we played it. We were just actors working together, and our DNA must have informed it somehow. Certainly, we came out of it purified a little bit.”

“I only do children's films now! I think when you go to LA some people feel you've defected a little bit and that's not really the case. Ideally, I would love to work here and to work in America. That's in an ideal world. In fact, I came back to Britain recently to do an ITV1 drama that will be out in April for a couple of months! But I'm flying back to LA to do a pilot season. So, to work in both places is great.”

“When [Bill] Clinton came along, it sort of moderated a little bit, but Clinton had a different device for breaking unions called NAFTA [North America Free Trade Agreement]. Because the government was entirely lawless, employers could exploit NAFTA to threaten union organizers with transfer. It's illegal, but when you've got a lawless government, it doesn't matter if it's illegal. I think the number of union drives blocked increased by about 50 percent.”

“In your generation, everybody is constantly bombarded with all kinds of different input from different cultures, and that's a strength, that's a positive thing. That's why I remain confident about America's ability to compete in the world, precisely because we've got a little bit of everybody in this country.”

“Part of our identity is the idea that racism is still there and that we are vulnerable to it. So, the question is, 'How vulnerable?' In other words, is it really a problem for us, or is it just a small thing. How do you evaluate racism in America on a scale of 1 to 10? My suspicion is that most blacks overrate it a bit. Not to say it's not there, but we overrate it because this masking is part of our relationship to the larger society. This is a way we keep whites on the hook. We keep them obligated, and we keep ourselves entitled. There's an incentive, you see, to inflate it a little bit.”

“In some contexts in Pakistan maybe a beard is negative. It depends. And in some contexts in America maybe a beard is positive. I think there's certainly lots of hipster communities where having a beard makes me look a little bit less like a, you know, middle-aged fuddy-duddy. And there's some places in Pakistan where having a beard, you know, certain corporate contexts, certain social contexts, where it's not an advantage to have a beard.”