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“Atrocities are now shown in 30-second bites. Hardcore artistic horror is an expression of hating your neighbour. The gruesome imagination feeds on vanity, lust, self-indulgence and despair, rather than the hope of the Holy Spirit. The Body of Christ needs to look and repent of our own fallenness.... Whatever arena Christians withdraw from goes to hell.”

“I had a new idea in my head... this time it's just simply my bedroom, only here colour is to do everything, and, giving by its simplification a grander style to things, is to be suggestive here of rest or of sleep in general. In a word, to look at the picture ought to rest the brain or rather the imagination.”

“I've always been aware of the otherworld, of spirits that exist in that twilight place that lies in the corner of our eyes, of fairie and stranger things still that we spy only when we're not really paying attention to them, whispers and flickering shadows, here one moment, gone the instant we turn our heads for a closer look. But I couldn't always find them. And when I did, for a long time I thought they were only this excess of imagination that I carry around inside me, that somehow it was leaking out of me into the world.”

“Kings ought never to be seen upon the stage. In the abstract, they are very disagreeable characters: it is only while living that they are 'the best of kings'. It is their power, their splendour, it is the apprehension of the personal consequences of their favour or their hatred that dazzles the imagination and suspends the judgement of their favourites or their vassals; but death cancels the bond of allegiance and of interest; and seen AS THEY WERE, their power and their pretensions look monstrous and ridiculous.”

“I think the best thing a person can do is to read through the Gospels in the Bible and really look at Jesus, because if a person does this, they will realize that the Jesus they learned about in Sunday school or the Jesus they hear jokes about or the skinny, Gandhi Jesus that exists in their imaginations isn't anything like the real Jesus at all.”

“In my photographic work I'm generally attracted to places that contain memories, history, atmospheres and stories. I'm interested in the places where people have lived, worked and played. I look for traces of the past, visual fingerprints, evidence of activities - they fire my imagination and connect into my own personal experiences. Using the analogy of the theater, I would say that I like to photograph the empty stage, before or after the performance, even in between acts. I love the atmosphere of anticipation, the feeling in the air that events have happened, or will happen soon.”

“Is not the real experience of each individual very limited? And, if a writer dwells upon that solely or principally, is he not in danger of repeating himself, and also of becoming an egotist? Then, too, imagination is a strong, restless faculty, which claims to be heard and exercised: are we to be quite deaf to her cry, and insensate to her struggles? When she shows us bright pictures, are we never to look at them, and try to reproduce them? And when she is eloquent, and speaks rapidly and urgently in our ear, are we not to write to her dictation?”

“I don't think the role of style is different for a woman of any age. Style, to me, is about experimenting with what gives you pleasure, a joyous expression of imagination. I emphasize joyous because too much is written about fashion that takes the pleasure away - clothes that make you look thinner or clothes that make you look younger or, horrors, clothes that make other people envy you or that - double horrors - are "age appropriate".”