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Manuscripts Quotes

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Manuscripts Quotes

“To my amazement, miraculously, the lid suddenly loosened and slid all the way open, revealing its hidden cargo: A stack of small paper booklets. Dozens and dozens of them. Booklets made of ordinary sheets of white writing paper, folded in half, and hand-stitched along the spine. Booklets in remarkably pristine condition, all covered in a small, neat handwriting that I instantly recognized. The hair stood up on the back of my neck. I could hardly breathe.”

“إن محاولة الاطلاع على المصاحف الكريمة المخطوطة، والقديمة منها خاصة، أمر في غاية الصعوبة، وليس من اليسير التوفيق بين طموحات الباحث في الحصول على المادة من تلك المصاحف وبين حرص القائمين بالمحافظة عليها بألا تمسها يد أحد حتى لو كانت يد باحث مسلم ليس بأقل حرصاً منهم عليها، وقد حرم هذا البحث، وذلك مما يمكن أن يستفيده لو تيسرت له القراءة في المصحف الجليل المنسوب إلى سيدنا عثمان بن عفان، والمحفوظ في جامع الحسين بالقاهرة، ولم تغن مخاطبة كلية دار العلوم للجهة المسؤولة عن حفظ المصحف شيئاً”

“Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.”

“Extemporaneous and oral harangues will always have this advantage over those that are read from a in manuscript: every burst of eloquence or spark of genius they may contain, however studied they may have been beforehand, will appear to the audience to be the effect of the sudden inspiration of talent.”

“As an editor, I read Charlotte Rogan's amazing debut novel, 'The Lifeboat,' when it was still in manuscript. I read it in one night, and I really wanted my company to publish it, but we lost it to another house. It's such a wonderful combination of beautiful writing and suspenseful storytelling.”

“Today there survives more than 25,0000 partial and complete, ancient handwritten manuscript copies of the New Testament. These hand written manuscripts have allowed scholars and textual critics to go back and verify that the Bible we have in our possession today is the same Bible that the early church possessed 2,000 years ago.”

“Book burning is a charming old custom, hallowed by antiquity. It has been practiced for centuries by fascists, communists, atheists, school children, rival authors, and tired librarians. Like everything of importance since the invention of the cloak and the shroud, its origins are cloaked in mystery and shrouded in secrecy. Some scholars believe that the first instance of book burning occurred in the Middle Ages, when a monk was trying to illuminate a manuscript. All agree that book burning was almost non-existent during the period when books were made of stone.”

“Great nations write their autobiographies in three manuscripts the book of their deeds, the book of their words, and the book of their art. Not one of these books can be understood unless we read the two others; but of the three, the only quite trustworthy one is the last. The acts of a nation may be triumphant by its good fortune; and its words mighty by the genius of a few of its children: but its art, only by the general gifts and common sympathies of the race.”

“To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.”

“Why is this soe long detaind in a dark manuscript, that if printed would be a Light to the World, & a Universal Blessing?”

“In the usual way I submitted manuscripts to publishers. This was not so much a feeling that I should be published as a wish to escape the feared and hated drudgery of "normal" work. In my twenties some of my work for children was published by Macmillan. However, I was twenty-seven before my adult novel, The Birthgrave, was taken by DAW Books in the USA. This enabled me finally to stop doing stupid and soul-killing jobs, and start working day and night as a professional writer. It felt like a rescue from damnation, and still does.”

“I guess I'm what you call a slush-piler. I just sent my manuscripts to the slush pile of publishers and hoped for the best. Over seven years, I was rejected seven times on three different books. The fourth attempt was picked up by a small publisher, and I still have great memories of staying up all night, talking to my brother and sisters (my dad called me at 2:30 in the morning because I was overseas).”

“I have an office in my house, with a comfy red print reading chair and a soft cream-colored desk. After I walk Winston the Wonder dog and have my breakfast, I head to my office. Every single day. Sometimes, when I'm working on revisions, I print off my manuscript and go to a coffee shop to work. But mostly you can find me in my office.”