“Science starts with preconception, with the common culture, and with common sense. It moves on to observation, is marked by the discovery of paradox, and is then concerned with the correction of preconception. It moves then to use these corrections for the designing of further observation and for more refined experiment. And as it moves along this course the nature of the evidence and experience that nourish it becomes more and more unfamiliar; it is not just the language that is strange [to common culture].” UseMovingScienceCultureCoursesLanguageCommonDesignStrangeEvidenceDiscoveryConcernedExperimentsCommon SenseObservationParadoxRefinedUnfamiliarCorrectionsPreconceptionsCommon Culture Author:J. Robert Oppenheimer
“Strange priests are they who never straightly walk But all aslant through sideways passage stalk Who never seek their goals in forward lines But move askew as fraught with sly designs” MovingGoalLinesWalksDesignStrangePriestsPassagesStalkingSidewaysSly Author:Willard Fiske
“The grand design of nature perceived broadly in four dimensions, including the forces that move the universe and created man, with special focus on evolution in our own biosphere, is something intrinsically good that it is right to preserve and enhance, and wrong to destroy and degrade.” MenMovingUniverseForceFocusFourSpecialDesignEvolutionIncludingPreservesDimensionsDegradeBiosphere Author:Roger Wolcott Sperry
“The plot of a movie is its motor. It is not an accident that people call pictures 'vehicles' for stars. A vehicle has to move. A plotless story is like an expensive car with a wonderful body design, luxurious seats, upholstery, headlights (production, direction, cast) - and no motor under its hood. That is why it gets nowhere.” PeopleStoriesBodyMovingStarsWonderfulCarDesignCastsProductionsAccidentsMovieSeatsExpensivePlotVehicleMotorHoodLuxuriousHeadlightsUpholsteryExpensive Cars Book:Letters of Ayn Rand Source: Letters of Ayn Rand
“I think time is a constraint to destroy and then reinvent. If you give me a constraint, I'll accept it. But I always try to move it around, or to readapt it. Ecco! If you lock me in a room, well I'll go out through the window! I always remember Achille Castiglioni, one of my mentors, and he always said that in industrial design you have the idea, the fantasy, the concepts - that's the marmalade! - but the constraint of the brief is the bread. You need both in order to find structure for your ideas.” IfsThinkingNeedsGivingTryingWellsSaidIdeasRememberMovingOrderRoomsAcceptingFantasyDesignConceptsWindowGive MeStructureBreadMentorLocksConstraintsAchillesIndustrial DesignMarmalade Author:Patricia Urquiola
“Certainly it was no design of the atoms to place themselves in a particular order, nor did they decide what motions each should have. But atoms were struck with blows in many ways and carried along by their own weight from infinite times up to the present. They have been accustomed to move and to meet in all manner of ways. For this reason, it came to pass that being spread abroad through a vast time and trying every sort of combination and motion, at length those come together that produce great things, like earth and sea and sky and the generation of living creatures.” WayShouldTryingHas BeensReasonEarthTogetherMovingOrderGenerationsSeaSkyAtheismDesignProduceParticularCreaturesShould HaveWeightInfiniteBlowSpreadPositive AtheismGreat ThingsCombinationLengthAtomsAccustomedLiving CreaturesSea And SkyInfinite Time Author:Lucretius