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Moving Quotes

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Moving Quotes

“A nervous excitability, a chronic exaltation of the passion, in which commingle the inferior life of the individual and its exterior manifestations, a state in which sentiment, idea, and will are confounded together, where for the lack of the powerful corrective of logic, the flights of imagination know no bounds, where life and human activity are deprived of a regulator, and move outside of material and concrete factors, by the sole interior force of the soul.”

“As a composer, I believe that music has the power to inspire a renewal of human consciousness, culture, and politics. And yet I refuse to make political art. More often than not political art fails as politics, and all too often it fails as art. To reach its fullest power, to be most moving and most fully useful to us, art must be itself.”

“The gap between the rich and poor is growing among and within most nations. The political and social effects of unequal location of energy and other mineral resources are acute. Population numbers continue to climb. The global environment shows signs of widespread deterioration. Both natural and social environments are increasingly vulnerable to catastrophic disturbances... There may, however, be a cheering challenge in the possibility that out of its struggle with these realities the human race may move a bit nearer to behaving as if it were indeed one family.”

“I have divers times examined the same matter (human semen) from a healthy man... not from a sick man... nor spoiled by keeping... for a long time and not liquefied after the lapse of some time... but immediately after ejaculation before six beats of the pulse had intervened; and I have seen so great a number of living animalcules... in it, that sometimes more than a thousand were moving about in an amount of material the size of a grain of sand... I saw this vast number of animalcules not all through the semen, but only in the liquid matter adhering to the thicker part.”

“The world, nature, human beings, do not move like machines. The edges are never clear-cut, but always frayed. Nature never draws a line without smudging it.”

“If it is the love of that which your work represents--if, being a landscape painter, it is love of hills and trees that moves you--if, being a figure painter, it is love of human beauty, and human soul that moves you--if, being a flower or animal painter, it is love, and wonder, and delight in petal and in limb that move you, then the Spirit is upon you, and the earth is yours, and the fullness thereof.”

“People who take the risk make a tremendous discovery: The more things you care about, and the more intensely you care, the more alive you are. This capacity for caring can illuminate any relationship: marriage, family, friendships-even the ties of affection that often join humans and animals. Each of us is born with some of it, but whether we let it expand or diminish is largely up to us. To care, you have to surrender the armor of indifference. You have to be willing to act, to make the first move.”

“A romantic relationship might very well have been initiated by God, but the moment our focus moves from our Prince to a human love story is the moment we cease to guard our sanctuary, and our entire foundation for success crumbles into ashes. A relationship that leads us closer to our Prince and carefully protects our inner sanctuary is the key to discovering romance as it was truly intended to be...a little taste of heaven on earth.”

“The world looks with some awe upon a man who appears unconcernedly indifferent to home, money, comfort, rank, or even power and fame. The world feels not without a certain apprehension, that here is someone outside its jurisdiction; someone before whom its allurements may be spread in vain; some one strangely enfranchised, untamed, untrammelled by convention, moving independent of the ordinary currents of human action.”

“When human men hold an object that makes a powerful noise, or has moving parts, or spins around fast, or has a button they can push (which either screws or nails something) they become Gods in their own heads.They can do anything: they can eat through walls and bring buildings together to form mighty empires.They can build floating cities and flying tin cans.But they still can't make their own beds.”

“Chess, which exists predominantly in two dimensions, is one of the world's most difficult games. Three-dimensional chess is an invitation to insanity. But human relationships, even of the simplest order, are like a kind of four-dimensional chess, a game whose pieces and positions change subtly and inexorably between moves, whose players stare dumbly while their powerful positions deteriorate into hopeless predicaments and while improbable combinations suddenly become inevitable. To make matters worse, some games are open to any number of players, and all sides are expected to win.”

“Take the sum of human achievement in action, in science, in art, in literature subtract the work of the men above forty, and while we should miss great treasures, even priceless treasures, we would practically be where we are today ... The effective, moving, vitalizing work of the world is done between the ages of twenty-five and forty.”

“The promotion of human rights cannot be about exhortation alone. At times, it must be coupled with painstaking diplomacy. I know that engagement with repressive regimes lacks the satisfying purity of indignation. But I also know that sanctions without outreach -- condemnation without discussion -- can carry forward only a crippling status quo. No repressive regime can move down a new path unless it has the choice of an open door.”

“Art is the principal way in which the human mind has tried to remake the world in a way that makes sense. The carefully edited, slow-motion, action replay of a rugby tackle, a car crash or a sex act has more significance than the original event. Thanks to virtual reality, we will soon be moving into a world where a heightened super-reality will consist entirely of action replays, and reality will therefore be all the more rich and meaningful.”

“For the sake of my children and grandchildren, I hope that the human talent for self-destruction can be successfully controlled, or at least channelled into productive forms, but I doubt it. I think we are moving into extremely volatile and dangerous times, as modern electronic technologies give mankind almost unlimited powers to play with its own psychopathology as a game.”

“Moving forward will not be for the faint of heart. But if the next century witnesses failure, let it be because our science is not yet up to the job, not because we don't have the courage to make less random the sometimes most unfair courses of human evolution.”

“I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one's sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city.”

“The human species does not necessarily move in stages from progress to progress ... history and civilization do not advance in tandem. From the stagnation of Medieval Europe to the decline and chaos in recent times on the mainland of Asia and to the catastrophes of two world wars in the twentieth century, the methods of killing people became increasingly sophisticated. Scientific and technological progress certainly does not imply that humankind as a result becomes more civilized.”

“I have been moving around all my life. Going to different schools, living in different houses, shedding old roles, assuming new ones. This way of life is as natural to me as staying in one place is for other people. I do variations on the theme. I return to places where I used to be. I find my old personas. I try them on. If they still fit, I wear them out to a party or a show. If they begin to restrict my movements, I take them off. I am a human being, capable of mimicking anything I see or remember or can imagine.”

“Once the idea of a supernaturalistic creation is fully overcome, the idea returns that the universe must be self-organizing and therefore composed of self-moving parts. Also, insofar as dualistic assumptions are fully overcome and human experience is accepted as fully natural, it begins to seem probable that something analogous to our experience and self-movement is a feature of every level of nature.”

“Some god or Weltgeist has been making a movie out of us for the past six thousand years, and now we have turned a corner on the movie set of reality and have discovered the boards propping up the two-dimensional monuments of human history. The movement of humanism has reached its limit, and now at that limit it is breaking apart into the opposites of mechanism and mysticism and moving along the circumference of a vast new sphere of posthuman thought.”

“The smart people who are straight are involved in simply the media management of what has turned into a slow apocalypse, spreading starvation, exacerbated class differences, toxified agriculture, so forth and so on. I don't believe the Establishment thinks there are solutions. Their policy is basically the management of panic, which is hardly a forward moving approach to the adventure of human civilization.”

“There are spirits in Hawaii. They're very protective and very good and they watch over these islands. I must confess, they're not entirely happy with what they see, with the way the civilization is moving. But they're patient. They've been here for a long time, and they'll be here long after the human beings have ceased to inhabit the islands.”

“...and suddenly it hits you: Human skin is actually made up of billions of tiny units of protoplasm, called "cells"! And what is even more interesting, the ones on the outside are all dying! This is a fact. Your skin is like an aggressive modern corporation, where the older veteran cells, who have finally worked their way to the top and obtained offices with nice views,are constantly being shoved out the window head first, without so much as a pension plan,by younger hotshot cells moving up from below.”

“As human beings we have this immediate gateway - you’ve just to articulate exactly the way that you’re exiled, exactly the way that you don’t belong, exactly the way that you can’t love, exactly the way that you can’t move ... and you’re on your way again. You’re on your way home. If you can just say exactly the way that you’re imprisoned - the door swings open.”

“There is nothing so remote from vanity as true genius. It is almost as natural for those who are endowed with the highest powers of the human mind to produce the miracles of art, as for other men to breathe or move. Correggio, who is said to have produced some of his divinest works almost without having seen a picture, probably did not know that he had done anything extraordinary.”

“Never can a new idea move within the law. It matters not whether that idea pertains to political and social changes or to any other domain of human thought and expression - to science, literature, music; in fact, everything that makes for freedom and joy and beauty must refuse to move within the law. How can it be otherwise? The law is stationary, fixed, mechanical, 'a chariot wheel' which grinds all alike without regard to time, place and condition, without ever taking into account cause and effect, without ever going into the complexity of the human soul.”

“By the disposition of a stupendous wisdom, moulding together the great mysterious incorporation of the human race, the whole, at one time, is never old, or middle-aged, or young; but, in a condition of unchangeable constancy, moves on through the varied tenor of perpetual decay, fall, renovation, and progression.”