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Moving Quotes

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Moving Quotes

“A nervous excitability, a chronic exaltation of the passion, in which commingle the inferior life of the individual and its exterior manifestations, a state in which sentiment, idea, and will are confounded together, where for the lack of the powerful corrective of logic, the flights of imagination know no bounds, where life and human activity are deprived of a regulator, and move outside of material and concrete factors, by the sole interior force of the soul.”

“I will dance a little. I will move with the wind. I will give my body to my love and celebrate that we have substance beyond the idea of ourselves. We can move. We can touch. This is my physical exclamation point. This is how I can awaken my mind to the possibilities in the day.”

“In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.”

“Proselytism is solemn nonsense, it makes no sense. We need to get to know each other, listen to each other and improve our knowledge of the world around us. Sometimes after a meeting I want to arrange another one because new ideas are born and I discover new needs. This is important: to get to know people, listen, expand the circle of ideas. The world is crisscrossed by roads that come closer together and move apart, but the important thing is that they lead towards the Good.”

“Ecology movements, futurism, feminism, urbanism, protest and disarmament, personal individuation cannot alone save the world from the catastrophe inherent in our very idea of the world. They require a cosmological vision that saves the phenomenon 'world' itself, a move in soul that goes beyond measures of expediency to the archetypal source of our world's continuing peril: the fateful neglect, the repression, of the anima mundi.”

“So when a good idea comes, you know, part of my job is to move it around, just see what different people think, get people talking about it, argue with people about it, get ideas moving among that group of 100 people, get different people together to explore different aspects of it quietly, and, you know – just explore things.”

“I just think the idea of moving away from the body and discovering sensuality by skimming the body, not tightening the body, seems rather new to me. Especially in this world where we're living right now, where the idea of giving freedom to women, especially in politics what's happening, it seemed so appealing to me, so that was the starting point.”

“Just work. Don't wait. Everybody's waiting until they have the perfect idea to start working. Even if you have an inkling of what you want to do, start moving towards it. And it's going to flesh itself out through the process of moving towards the goal. And by the time you get to where you're going to be, it's not going to look anything like it did when you sat on the couch thinking about it. And if you wait until it's perfect in your head before you get of the couch and start working on it, that's never going to happen.”

“Choose one thing and become a master of it. Choose a second thing and become a master of that. When you become a master of two worlds, say, engineering and business, you can bring them together in a way that will a) introduce hot ideas to each other, so they can have idea sex and make idea babies that no one has seen before and b) create a competitive advantage because you can move between worlds, speak both languages, connect the tribes, mash the elements to spark fresh creative insight until you wake up with the epiphany that changes your life.”

“What is enthralling and illuminating about The Metaphysical Club is its portraits of individuals and their milieus. Menand is wonderfully deft at evoking a climate of ideas or a cultural sensibility, embodying it in a character, and moving his characters into and out of one another's lives. What might have been a jumble of intellectual movements and colorful minor figures (...) is instead a subtle weave of entertaining narrative and astute interpretation.”

“What always attracted me to [Bob] Dylan, and what has sustained me as a Dylan listener, or has always continued to surprise me, is his voice, the way he sings, the way he wraps his voice around certain words, the way he backs off from melodic moments, the way he moves forward to grab something in a song that, were anybody else performing it, they would have no idea it was even there.”

“Ideas are dangerous, but the man to whom they are least dangerous is the man of ideas. He is acquainted with ideas, and moves among them like a lion-tamer. Ideas are dangerous, but the man to whom they are most dangerous is the man of no ideas. The man of no ideas will find the first idea fly to his head like wine to the head of a teetotaller.”

“We sift reality through screens composed of ideas . (And such ideas have their roots in older ideas.) Such idea systems are necessarily limited by language , by the ways we can describe them. That is to say: language cuts the grooves in which our thoughts move. If we seek new validity forms (other laws and other orders) we must step outside language.”

“Just as the line of astronomical thinkers from Copernicus to Newton had destroyed the old astronomy, in which the earth was the center, and the Almighty sitting above the firmament the agent in moving the heavenly bodies about it with his own hands, so now a race of biological thinkers had destroyed the old idea of a Creator minutely contriving and fashioning all animals to suit the needs and purposes of man.”

“The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout. Another, more fundamental statement in poetry, is made through the images themselves those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.”

“The decay of the late, great country of South Africa is beginning to become apparent. The name of the Transvaal has been officially changed to 'Gauteng.' (One of our friends has suggested that in view of this its inhabitants in the future should be referred to as Oranggautengs.) ... And now there is a move afoot to wreck the Kruger National Park, one of the wonders of the world, on the notion that a good bit of its land was 'taken from the blacks.' This idea is somewhat akin to giving Yellowstone Park back to the Blackfeet.”

“The challenge in any musical is unifying all the moving parts of it, in particular a movie musical because now you're adding the camera and you're adding the idea of adaptation. So the challenge is to stay as true as you can to the material that you love and yet not be afraid to step outside of it and introduce elements into it that make it exist in a satisfying, exciting way cinematically.”

“If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.”

“Once the idea of a supernaturalistic creation is fully overcome, the idea returns that the universe must be self-organizing and therefore composed of self-moving parts. Also, insofar as dualistic assumptions are fully overcome and human experience is accepted as fully natural, it begins to seem probable that something analogous to our experience and self-movement is a feature of every level of nature.”

“I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.”

“The successful politician owes his power to the fact that he moves within the accepted framework of thought, that he thinks and talks conventionally. It would be almost a contradiction in terms for a politician to be a leader in the field of ideas. His task in a democracy is to find out what the opinions held by the largest number are, not to give currency to new opinions which may become the majority view in some distant future.”

“Who can think that this eviction of Germans was undertaken only as a temporary experiment? Those who adopted the decision on the eviction of the Germans from these territories, and who understood that Poles from other Polish districts would at once move into these territories, cannot suggest after a while to carry out reverse measures. The very idea of involving millions of people in such experiments is unbelievable, quite apart from the cruelty of it, both towards the Poles and the Germans themselves.”

“I always revered people that I thought had an idea and proceeded through with it. I guess I've been that way since the day I called my father and told him I was going to study acting and maybe try to see if I could do well with that, and he told me: "Don't do that. You don't want to do that, that's just dream stuff. Get a legitimate job and move forward."”

“Never can a new idea move within the law. It matters not whether that idea pertains to political and social changes or to any other domain of human thought and expression - to science, literature, music; in fact, everything that makes for freedom and joy and beauty must refuse to move within the law. How can it be otherwise? The law is stationary, fixed, mechanical, 'a chariot wheel' which grinds all alike without regard to time, place and condition, without ever taking into account cause and effect, without ever going into the complexity of the human soul.”

“Our opposition will never understand the Democratic Party. Our Party is--to the unpracticed eyes of the old Republican Tories--a mysterious contraption that usually seems to be moving in a thousand directions. What they don't know is what hurts them. For all that movement in the Democratic Party is caused by the internal combustion of creative ferment, of ideas, of people vigorously committed to the proposition that change and social progress are not only to be desired; they are necessities of twentieth-century America.”

“I think time is a constraint to destroy and then reinvent. If you give me a constraint, I'll accept it. But I always try to move it around, or to readapt it. Ecco! If you lock me in a room, well I'll go out through the window! I always remember Achille Castiglioni, one of my mentors, and he always said that in industrial design you have the idea, the fantasy, the concepts - that's the marmalade! - but the constraint of the brief is the bread. You need both in order to find structure for your ideas.”

“An idea is like a play. It needs a good producer and a good promoter even if it is a masterpiece. Otherwise the play may never open; or it may open but, for a lack of an audience, close after a week. Similarly, an idea will not move from the fringes to the mainstream simply because it is good; it must be skillfully marketed before it will actually shift people's perceptions and behavior.”