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Car Crash Quotes

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Car Crash Quotes

“The hours tick by as I lie in bed. Memories keep surfacing, tormenting me into unbelievable sadness. I can't bring myself to move. I can't fight the memories that keep filling my thoughts. I stay curled in the fetal position as each memory plays out. I can't stop them from coming. I can't make them go away. Nothing can distract me. I can't block the memories, so they continue to come.”

“Lonely. My heart grips as the word crosses my mind. So many different feelings come with the word, not just loneliness. The word went beyond its definition. Loneliness has a deeper meaning to those who truly know what it means to be alone.”

“He stares at me—taking me in—with his lips slightly parted. I struggle to hold myself in place as we gawk at each other. I want so desperately to run, but something is holding me back, keeping me in place.”

“One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore. Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.”

“He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask. I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.”

“I'm being pulled under - father and farther from the surface. My lungs continue to scream for air. Panic is building inside me, threatening to combust. I can't break free. Help! I can't break free! I open my mouth to scream.”

“Night has settled over Paris. The streets have cleared of the crowds, and the city has been lit up. I set my book down, deciding to go for a walk. The Eiffel Tower is only a few blocks away. Now that there aren't many people out, I can walk there without having to fight my way through mobs of gawking tourists.”

“He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.”

“I grab the nearest lamppost when my knees threaten to give out, panting for breath as the words rip through me”

“Every gesture and every look he gives me takes me by surprise and causes my heart to stutter.”

“I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.”

“I take in all the colorful locks that line the bridge. Each one told a story. Each lock represented a relationship that was once special, whether it ended or turned into true happiness. The locks represented a past, present, and a possible future.”

“When we step onto the bridge, Nathan turns and spreads his arms out wide. ‘Welcome to Pont des Arts, a.k.a. The Lock Bridge.”

“I freeze, my feet suddenly glued to the floor. It takes me a minute to gather the courage to turn around, but when I do, I immediately wish I hadn't. The boy is standing in the doorway at the end of the hall. Why is he here again? I barely allow myself time to ask the question before I move. Panicked, I turn and run back downstairs as fast as I can. "Hey! Wait!" he calls after me. I don't stop.”

“The boy took my sketchbook.”

“Everything started to move in slow motion. A vehicle was coming up the hill in the opposite direction, facing us but in its own lane. With vehicles parked on both sides of the road, this meant that there was just a narrow passage area for both vehicles to pass through. However, he had yet to reduce his speed, and now I knew which car he was going to hit. I was frozen stiff with fear in the front passenger seat, as I helplessly watched him slam into the back of a parked car. I was not wearing a seat belt, so upon impact my head crashed into the windshield. I was then slammed back into my seat, but with such force that everything went black.”

“Art is the principal way in which the human mind has tried to remake the world in a way that makes sense. The carefully edited, slow-motion, action replay of a rugby tackle, a car crash or a sex act has more significance than the original event. Thanks to virtual reality, we will soon be moving into a world where a heightened super-reality will consist entirely of action replays, and reality will therefore be all the more rich and meaningful.”

“I have actually programmed a fair bit in Perl, like I have C++ code published with my name on it. Other things I have tried and have no intention to do again if I can at all avoid it include smoking, getting drunk enough to puke and waste the whole next day with hang-over, breaking a leg in a violent car crash, getting mugged in New York City, or travel with Aeroflot.”

“People who disagree with His Excellency, the President for Life and 'Chief of Chiefs,' are frequently found to be the victims of car crashes (their bodies mysteriously riddled with bullets); or dead in their beds of heart attacks (their bodies mysteriously riddled with bullets); or the recipients of some not-quite-fresh seafood (their bodies mysteriously riddled with bullets).”

“We carry adolescence around in our bodies all our lives. We get through the Car Crash Age alive and cruise through our early twenties as cool dudes, wily, dashing, winsome . . . shooting baskets, the breeze, the moon, and then we try to become caring men, good husbands, great fathers, good citizens.”

“If you cut yourself, if you hate yourself, if you eat, if you don’t eat. If your parents split up, if your parents hit you, if your mom tells you you’re a piece of trash. If you got in a car crash and half your face is gone - wake up in the morning and give yourself a shot. Do it. Not for music, not for any reason other than the fact that you are alive and you were given the grace to wake up another day. So do it, man. Just freaking get out there and try.”

“I'm a situational writer. You give me a situation, like a writer gets in a car crash, breaks his leg, is kidnapped by his number-one fan, and is kept in a cabin and forced to write a book - everything else springs from there. You really don't have to work once you've had the idea. All you have to do is kind of take dictation from something inside.”

“By sort of combining the research of a lot of smart people, I came up with an equation for dread [dread=uncontrollability+unfamiliarity+imaginability+suffering+scale of destruction+unfairness]. The dread equation is a simplification, but it's a way to explain why we fear something so much when it is so unlikely. Part of it is the lack of control. That's why we're more scared of plane crashes than car crashes even though we know rationally which is more dangerous.”

“Nothing provides the antidote to narcissism, or the environment for the healthy raising of children, or the way for people to take care of one another, as does the marriage of a man and a woman. And while most divorces are terribly sad, divorce itself no more undermines the institution of marriage than car crashes undermine the institution of driving.”

“Kylie Minogue - she's so great. You'd love her if you met her. Everyone would. In a way I wish everyone could, to see what a person she is. She's so sweet and no bull and really funny, man, really funny. The Rolling Stones are like a weight around your neck. All that..'you're not meant to rock after you're 30...you've got to die in a car crash or of a drug overdose.”

“Technology is constantly improving our lives. Look at the cellular telephone. Just ten years ago, virtually nobody was able to get into a car crash caused by trying to steer and dial at the same time; today, people do this all the time.”

“As young people we want something to slow us down and keep us trapped in one place long enough to look below the surface of the world. That disaster is a car crash or a war. To make us sit still. It can be getting cancer or getting pregnant. The important part is how it seems to catch us by surprise. That disaster stops us from living the life we'd planned as children - a life of constant dashing around.”