“It's really a lot of fun to see that this music can actually survive, that it can be concert music. My solo shows are already going along that path. You have the freedom to basically push to party, or you can tell a story from nothing with soundscapes, moving images, to a real party mood. At some concerts, people get out of their seats and start dancing after a while.” PeopleRealStoriesShowsMovingFunPartyPathDancingMoodSeatsConcertsSolo Author:Pantha du Prince
“Rosa Parks was an unlikely person, but she became an instrument of the people's will in that community who were tired. They said she was tired from working and perhaps she was - but she herself said later that she was spiritually tired and weary of being humiliated by being asked to move back so that a white person could occupy her seat.” PeoplePersonsSaidMovingCommunityWhiteInstrumentsTiredParksSeatsWearyThey SaidUnlikelyHumiliatedRosa Author:Joseph Lowery
“The plot of a movie is its motor. It is not an accident that people call pictures 'vehicles' for stars. A vehicle has to move. A plotless story is like an expensive car with a wonderful body design, luxurious seats, upholstery, headlights (production, direction, cast) - and no motor under its hood. That is why it gets nowhere.” PeopleStoriesBodyMovingStarsWonderfulCarDesignCastsProductionsAccidentsMovieSeatsExpensivePlotVehicleMotorHoodLuxuriousHeadlightsUpholsteryExpensive Cars Book:Letters of Ayn Rand Source: Letters of Ayn Rand
“When television families aren't gathered around the kitchen table exchanging wisecracks, they are experiencing brief but moving dilemmas, which are handily solved by the youngest child or by some cute extraterrestrial houseguest. Emerging from Family Ties or My Two Dads, we are forced to acknowledge that our own families are made up of slow-witted, emotionally crippled people who would be lucky to qualify for seats in the studio audience of JEOPARDY!” PeopleChildrenMadeTwoWould BeMovingAudienceTelevisionDadLuckyTablesStudiosAcknowledgeCuteTiesKitchenSeatsEmergingDilemmaCrippledJeopardyExchangingExtraterrestrialKitchen TableFamily TiesYoungest Child Book:WORST YEARS OF OUR LIVES Source: WORST YEARS OF OUR LIVES
“When you're writing for the screen you're really thinking all the time of what you have to do to make sure that they have the information that they need, that the emotional thread is not snapped, that the story moves at the right speed, to keep the audience hopefully sitting on the edge of their seats or else weeping or laughing.” ThinkingNeedsWritingStoriesMovingAudienceLaughingInformationEmotionalSittingEdgesSpeedScreensHopefullySeatsThreadWeepingSitting On The Edge Author:Salman Rushdie