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Musical Ability Quotes

Browse 23 quotes about Musical Ability.

Musical Ability Quotes

“Disgrace is a subtle, multi-layered story, as much concerned with politics as it is with the itch of male flesh. Coetzee's prose is chaste and lyrical without being self- conscious: it is a relief to encounter writing as quietly stylish as this. I was not totally convinced by Lurie's musical abilities, with regard to his proposed opera, but that is my sole complaint.”

“I was born with God-given gifts of very talented musical ability and exceptoinal physical coordination. I always needed prodding to practice piano, violin, cornet or French horn. I had to be pulled away from any athletic participation. Now, at 63, I look back on my athletic feats - All-American, All-Pro Quaterback, College and Pro Football Hall of Fame - and I can honestly say I would trade these all if I had been smart enough to pursue my musical career. YOUNG PEOPLE - don't make the same mistake.”

“I think at times the very strong feelings I have about my country coincide with my musical ability, and I'm able to actually turn it into music, a song or even hopefully a memorable song, sometimes. You may find it surprising, but I'm a very intense, proud American. I love being an American.”

“NEU!'s music will always ("für immer") be a part of me and I absolutely stand to what we've created. Of course I have changed since and I judge my contributions to NEU!'s music of the 70's in a historical context. They were both a description of my feelings back then as well as an expression of my musical abilities and limitations. It would be a mistake to ignore the time factor and it would be an artistic shortcoming to pick up on the old concept without doing any changes. There is no way this is going to happen anyway.”

“We must ask why apparently general musical abilities should be restricted to a chosen few in societies supposed to be culturally more advanced. Does cultural development represent a real advance in human sensitivity, or is it chiefly a diversion for elites and a weapon of class exploitation?”

“We often say that psi is like musical ability: it is widely distributed in the populate, and everyone has some ability and can participate to some extent - in the same way that the most nonmusical person can learn to play a little Mozart on the piano. On the other hand, there is no substitute for innate talent, and there is no substitute for practice.”