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“I thought, 'Okay, what's going to be my edge, and how am I going to define what I'm doing differently?' Once I had that key idea of the software developer as an artist, once I had that idea, a whole bunch of other ideas flowed from that, because I realized that I need to go study the music industry, I need to study the book publishing and Hollywood and figure out how they do things, why they do them that way, and then I need to borrow, and rearrange, the things that they're doing to fit my industry so that I can invent and create this new industry.”

“I started studying herbalism and edible plants that existed in the wild. And then I realized, "Okay, cool. I know how to make a fire with sticks and I know how to build a shelter, but I live 90 percent of my life in an urban environment, so these skills aren't really going to help me because there aren't trees that grow in Los Angeles that I can just take a branch and make fire out of, because that wood isn't conducive for that. So I started learning urban survival skills.”

“I used to say things like, 'My name's not Al (Bundy), you know?' Not to the press, but to fans. 'My name is actually Ed.' I'd find myself saying that, and I'd think, 'Who do you think they think you are? They only know you from that!' And finally I just got...I don't know, I guess a switch went on for me, and I realized, 'This was the greatest job that you've ever had in your life. Why are you acting like an asshole?' So from that minute on, I kind of...well, I hate the word 'embraced,' but I just kind of went, 'Yeah, okay.' 'So you're Al, right?' 'Yep!'”

“Realization that i couldn't be a ballet dancer was a blessing in disguise because that was the first time I felt like I stepped into adulthood. I realized, Okay, this is not going to work out. It was frustrating for about a year because I didn't know what to do with the creativity and the discipline that dancing had instilled in me from a very young age. But then I moved to Paris to model, and that was my cultural awakening. Now, I think dancing has been the biggest thing in my life, much more so than modeling, and it still helps me enormously in my work.”

“Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!”

“Oh, man," Xavier groaned. "See what you've done--now I'm stressing." "You can't! You're the stable one!" Xavier laughed and I realized his distress had been feigned to illustrate a point. He wasn't worried in the slightest. "Just relax. Go and run a bath or have a shot of brandy." "Okay." "That second bit was a joke. We both know you can't hold your liquor.”

“Look,' I said, struggling to keep up, 'I just wanna make one thing absolutely clear. I don't believe in guns. I just want peace. Okay?' Alessandro stopped in the middle of the corridor, took out the gun, and wrapped my hand around it before I realized what he was doing. 'Can you feel that? That's a gun. It exists. And there are a lot of people out there who do believe in it. So, excused me for taking care of them so you can have your peace.”

“I used to spend so much time reacting and responding to everyone else that my life had no direction. Other people's lives, problems, and wants set the course for my life. Once I realized it was okay for me to think about and identify what I wanted, remarkable things began to take place in my life.”