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“Christianity has held back any further advances in human consciousness for the past thousand years. And for the past century it's been in direct conflict with its illegitimate offspring, Communism (again with a capital C). Both ask the individual to sacrifice his self-interest to the higher goals of the organization. (Which is okay by me as long as it's voluntary; but as soon as either becomes too big - and takes on that damned capital C - they stop asking for cooperation and start demanding it.) Any higher states of human enlightenment have been sacrificed between these two monoliths.”

“What we've done last night is what I call pushing back the risks..If there is a risk in a bank, our first question should be 'Okay, what are you in the bank going to do about that? What can you do to recapitalise yourself? If the bank can't do it, then we'll talk to the shareholders and the bondholders, we'll ask them to contribute in recapitalising the bank, and if necessary the uninsured deposit holders.”

“We're all in this together. It's okay to be honest. It's okay to ask for help. It's okay to say you're stuck, or that you're haunted or that you can't begin to let go. We can all relate to those things. Screw the stigma that says otherwise. Break the silence and break the cycle, for you are more than just your pain. You are not alone. And people need other people.”

“More than anything, my wish for you is this: That when your awful darkest days come, you will know you're not alone. Pain will tell you to keep quiet, but that's a lie. Life is fragile and we all break in different ways. I hope you know you can be honest. I hope you know that you can ask for help. Did you catch that? It is absolutely positively okay to ask for help. It simply means you're human. Help is real and it is possible; people find it every day.”

“I'm not a real musician. If you give me a bass guitar and you ask me to improvise something, or even be with some musicians and follow them, I wouldn't be able to do it. And I want to change that. I want to be able to be in a group and take my guitar and play with them, without someone showing me, "Okay, you're going to do this and that," because music has always been a big part of my life.”

“But surrender also means your back's to the wall and saying, "Okay, I give up." But rather it's a joyful self-offering. When you come to the point of realizing that "I never get it right. I always make a mess of things; I can't do anything right. Let him do it." And then you ask his power to do it through you and you find suddenly that it works that way.”

“You know, or three kinds of ice cream bars and you'd see this and like this... okay they could clearly benefit from some more choices and I remember having these discussions with the Japanese because they you know they often like to go to Hawaii for vacation because it was definitely much cheaper for them and I would ask them, "So when you go to Hawaii, you know do eat all these other things?"”

“Before you go into what is essentially a competition, you have to have that confidence. You have to ask yourself, "Are they looking for a guy my height? My age? I've got a shot." And if there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.”

“There are some things fundamentally off about the stance of the book. And maybe that's okay; maybe every book is flawed, and great books, as flawed as they might be, articulate a moral argument that the reader then carries forward. The critique to this model is, of course, to ask: Should a book be ever so perfect that you come out of it with complete moral agreement that can be sustained?”

“One of the high points in my career came from a time I had with Tim Conway on a film when I had him fall down with laughter. I had this scene with him where I was this mechanic down fixing his car. I can't remember what my line was as written, but they were okay with me doing a made-up line. So Tim asks me what's wrong with his car, and I look up and say, "Well, looks like you got a squirrel caught up in there."”

“In the States, you have the First Amendment. People feel the freedom to speak and the right to be heard. And they kind of push the message: "It's a free country." Everybody has the right to say whatever they want to say. But in the Middle East, culture is your guide. You have to ask, is it culturally okay to say something like that? Is it culturally okay, for example, to show a woman giving birth? As Arabs watching such a scene in an American film it's okay, but when it comes to the Arabic context, we're like, "How dare you?" So it's how you present it.”

“The front door flew open, and Mary shot out of the house, jumping off the porch, not even bothering with the steps to the ground. She ran over the frost-laden grass in her bare feet and threw herself at him, grabbing on to his neck with both arms. She held him so tightly his spine cracked. She was sobbing. Bawling. Crying so hard her whole body was shaking. He didn't ask any questions, just wrapped himself around her. I'm not okay," she said hoarsely between breaths. "Rhage...I'm not okay.”

“On the girl's brown legs there were many small white scars. I was thinking, Do those scars cover the whole of you, like the stars and the moons on your dress? I thought that would be pretty too, and I ask you right here please to agree with me that a scar is never ugly. That is what the scar makers want us to think. But you and I, we must make an agreement to defy them. We must see all scars as beauty. Okay? This will be our secret. Because take it from me, a scar does not form on the dying. A scar means, I survived.”

“And yet I know I am too young, that we're too young, for me to live my life only as it relates to you. If you had asked me to marry you the night you first told me about your acceptance, I would have embraced Princeton as part of a larger plan that involved me. I probably would have reacted differently. I might even had said yes. Alas, you didn't ask me then. You made plans for your future without me in mind, And that's okay. But how can you now ask me to arrange my life around you?”

“What’s goin’ on?” I ask as I take a seat. “Obviously not this.” He tosses me my shirt from last night. “I found it on the floor of the den. It’s obvious there was some hanky-panky going on.” Okay, so he knows we fooled around. But at least he didn’t find Kiara’s bra on top of my shirt. “Yeah . . . things kinda got a little heated after you and Mrs. W. left the den last night,” I tell him.”

“I can't take not knowing what the next day will bring- the uncertainty is sawing me in two. The room is dark. A flickering candle burns on the window ledge a few feet away. I take a deep breath, which is to say, as deep a breath as I can take. "Are you okay?" Sarah asks. I wrap my arms around her. "I miss you," I say. "You miss me? But I'm right here." "That's the worst way to miss somebody. When they' re right beside you and you miss them anyway.”

“Leif's frown eased and he slid his finger under my chin and gently caressed my jaw line with the pad of his thumb. "Pagan,will you do me the honor of being my date for Homecoming Dance?The prospect of not being able to hold you in my arms all night is heartbreaking." Mirand sighed from across the table. "Okay,that was beautiful.Why didn't you ask me like that?"she asked Wyatt. Wyatt shot Leif an annoyed frown. "Thanks,buddy.Next time you decide to break out your romantic side,could you do it alone?”

“Okay. Then...I can talk. Ask me something." "Okay." He laughs shakily in my ear. "Why is your heart racing Tris?" I cringe and say, "Well, I...I barely know you. I barely know you and I'm crammed up against you in a box, Four, what do you think?"... "Maybe you were cut out for Candor," he says, "because you're a terrible liar.”