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“Black community, I think as a whole America is dealing with the issue of homophobia. We got to be really honest about whether we believe in civil rights for all people or not. As Black people we need to remember the moment that we say it's okay to disenfranchise one segment of society, we're opening the door to move backward on ourselves.”

“I remember before I did my HBO special, Chris [Rock] screamed at me - in a loving way, but still. He was like, "You need to do 200 shows in a row and a month straight on the road before you even think about recording a special!" And I had literally booked two weeks on the road and then went right into the recording. It put me in a panic, but it also made me work harder and made me realize that everyone works differently, and that's okay.”

“If you understood a business perfectly and the future of the business, you would need very little in the way of a margin of safety. So, the more vulnerable the business is, assuming you still want to invest in it, the larger margin of safety you'd need. If you're driving a truck across a bridge that says it holds 10,000 pounds and you've got a 9,800 pound vehicle, if the bridge is 6 inches above the crevice it covers, you may feel okay, but if it's over the Grand Canyon, you may feel you want a little larger margin of safety.”

“It's not that everything needs to have substance, but when nothing does then you know we're living in a bankrupt society, an artistically bankrupt society, and that's not okay. I think there's room for forms of entertainment that are very light and frivolous and fun, but when those forms of entertainment, forms of "art" if you will, become presented as something more than that, and are believed to be something more than that, then we've got a lot of problems.”

“I thought, 'Okay, what's going to be my edge, and how am I going to define what I'm doing differently?' Once I had that key idea of the software developer as an artist, once I had that idea, a whole bunch of other ideas flowed from that, because I realized that I need to go study the music industry, I need to study the book publishing and Hollywood and figure out how they do things, why they do them that way, and then I need to borrow, and rearrange, the things that they're doing to fit my industry so that I can invent and create this new industry.”

“You panic button collector. You clock of beautiful ticks. You run out the door if you need to. You flock to the front row of your own class. You feather everything until you know you can always, always shake like a leaf on my family tree and know you belong here. You belong here and everything you feel is okay. Everything you feel is okay.”

“Relationships help you learn more about what you want. If one doesn't work out, you just kind of look at it and go, Okay, well, this is what I did like and this is what I didn't like, and this is what I did wrong, and maybe I need to be more like this. And so you learn things, and that's why you grow. And you bring all the stuff that you've changed about yourself to a new relationship until you finally find that person you really, really want.”

“All I wanted was to live a life where I could be me, and be okay with that. I had no need for material possessions, money or even close friends with me on my journey. I never understood people very well anyway, and they never seemed to understand me very well either. All I wanted was my art and the chance to be the creator of my own world, my own reality. I wanted the open road and new beginnings every day.”

“Lies are a little fortress; inside them you can feel safe and powerful. Through your little fortress of lies you try to run your life and manipulate others. But the fortress needs walls, so you build some. These are the justifications for your lies. You know, like you are doing this to protect someone you love, to keep them from feeling pain. Whatever works, just so you feel okay about the lies.”

“We are all a people in need. We are not perfect. We are not machines. We make mistakes. We need grace. We need compassion. We need help at times. We need other people. And that's okay.”

“We're all in this together. It's okay to be honest. It's okay to ask for help. It's okay to say you're stuck, or that you're haunted or that you can't begin to let go. We can all relate to those things. Screw the stigma that says otherwise. Break the silence and break the cycle, for you are more than just your pain. You are not alone. And people need other people.”

“It's fun when the writers start writing jokes to you, but also it's fun when the writers will come to you and say 'Hey, listen, we're working on this story and we need to know if you speak any foreign languages.' And I said 'No, I don't. I speak a little Spanish, but I can learn a foreign language.' And they go 'Okay, do you think you can learn Portuguese?' And I go 'Yeah, whatever it takes. If it's funny, I'll do it.' So of course I start looking online and learning Portuguese, and as it turns out, I get the script and it's now Serbian.”

“Sometimes I have experienced at the start of a film you're very excited and enthusiastic and you've done all your preparation internally and externally and you start the film and it's all go... Then your attention goes somewhere else. Your energy goes into telling the story, so you don't have the same amount of energy to be objective, and that's okay because sometimes you become a subject of the story and you're inside it so much that you don't need to keep on looking on the outside.”

“I think it's better to have limits. My limits are different from other people's limits. I'm all for freedom, I'm all for people doing what they want. I'm also all for people shouldering the consequences of their behaviors, and not being assholes, and not lying unless they need to, and being honest except when you shouldn't, and being faithful except when it's okay to cheat. I guess I'm just a mass of contradictions.”

“I don't get particularly precious about things like this, though. Like the record company said, "We need a radio edit that delivers the hook" - I don't even know what they consider the hook in that song ["Oh No"] - "that delivers the hook sooner." So I'm like, "Okay. I see that." And they were all walking on eggshells, like is this going to be sacrilegious to me or something, to mess with this art I've created? And I'm like, "Great. I get to tinker with it, I get to mess with my song some more."”

“You know, these conservative women, somebody really needs to go repossess their ovaries. Really, truly, they have no right to them. They are fabulous, little organs and they have absolutely no right to be estrogen-bearing beings. Okay? Just cut 'em off, let 'em go through the hot flashes, let 'em just sit there and complain about hormone therapy, okay? Just take the ovaries and get it over with. Because they don't deserve to have estrogen. They really don't. It's a privilege.”

“I think what we need to do is to step back as a society and say okay, we've kind of turned things upside-down. We have moved away from the nuclear family, in which the man always works and the woman stays home. How are we going to rearrange things now? We've done the first part of the revolution, we've turned everything on its head, but we haven't figured out what structures will actually work in this new world.”

“If you have loans, the first thing you want to do is say, "Okay, look I have a credit card, if I really need to borrow, I have this emergency money that I can get, but for now there is no reason for me to keep cash at zero percent interest rate and at the same time, pay all of this money out. So, I think people need to figure out quickly how to pay loans and how much cash they should really keep.”

“It took me a long time to get to a position where I can feel that, with my art, I'm capable of saying what I need to say, and once I finish it, I can sit back and say, "It's done, and I'm okay with that. People can judge it good or bad, and it doesn't matter. I'm okay with it because I said something I needed to say." That's a really hard place to get, as an artist.”

“For Charlie and the Chocolate Factory, he came to me and said, "I want to do everything that's in the book, and as much more as you need, so that it all makes sense." I was like, "Okay!" And then, I would pitch back to him my love for Charlie Bucket's family and how lucky Charlie was, and that I felt so bad for Willy Wonka, shut up in his factory, all alone with these crazy Oompa Loompas.”

“When I begin to work on myself, sometimes things get worse before they get better. It is okay if this happens, because I know that it's the beginning of the process. It's untangling old threads. I just flow with it. It takes time and effort to learn what I need to learn. I don't demand instant change.”