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“We did a campaign here with New York Times. We had a great ad: "Today in America, someone will kill an elephant for a bracelet." We became sensitized in our society. Now there are four or five billion people in Asia who need to get this message. We need to use social media, print magazines, celebrities - anything we can to share this message. It's not cool, it's not okay. You are destroying beautiful animals. You are robbing a continent of its wealth. And you are hurting a lot of innocent people.”

“What if you could reach back to your four-year old or 14-year-old who's having a difficult time and reassure them, saying it is all going to be okay. What if you could go into her mind and give her courage and mentoring and counseling that she really needs. I believe we can do this for our younger souls. I know I've done it for mine, and I know a lot of others have done it.”

“I see women who have this struggle between what they know is right, what they know is necessary, what they know is healthy, what they know is good for them, what they know is good for the work that they need to do, what they know is good for their bodies, what they know is good for their families - all too often ending that statement with the upturned question mark: "If it's okay with everyone?" Still asking, still requesting, still filing petitions for somebody to say that it's all right.”

“If all the people around you are happy with you, you are not doing great work. When you stop being like other people, they stop liking you. That's just how it goes. There's no escaping it. And it's okay. What you need to understand about that disapproval is that it's a sign you're doing something right.”

“I was just fooling around with the piano and Todd [Phillips] was like, 'Hey there's a great spot in the movie [The Hangover] where we need a little bit of a breath in the narrative. You should write a song and stick it in there.' And I was like, 'Well, what should the song be about?' And he said, 'The tiger.' 'Oh, okay.' So I went off and I wrote this song. I came back and Todd and I tinkered with it a little more and then we shot it right then. It all happened in a day.”

“Before you go into what is essentially a competition, you have to have that confidence. You have to ask yourself, "Are they looking for a guy my height? My age? I've got a shot." And if there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.”

“What was fun for me with this book [Lincoln in the Bardo] was to start out with the principle that went, "We're going to fight every day to make this not a novel; make it too short to be a novel." And then with that principle in place, the book sort of starts to say, "Okay, but I really need this. I really need some historical nuggets." And you're like, "All right, but keep it under control."”

“Probably the biggest mistake that I made personally is I knew early on that I wanted to go into start-ups and creating kind of software that could help change the lives of millions of people. And basically what I did is I kind of went, okay, well, I need a set of titles and I need a checklist of skills, and I ran through all that, and that wasn't a useless thing, but what I didn't realize, and, you know, and no one gave me the right advice for doing this, is that actually your network, in essentially, is your career.”

“The idea of suggesting that Hannibal Lecter - in the book, he has a sixth finger and red eyes, and so there is a devilry in Thomas Harris' presentation - so it felt like it was completely honest and appropriate for the character. And we often talk in the writers' room, "Okay, there is the Hannibal as the devil explanation of that plot point, but we also need to ground that in a reality that is answerable to the physics of the storytelling."”

“I feel like hate and darkness get so much airtime. We need to give peace and love as much airtime as we can. We need to be teaching our kids that it's okay to love whoever you want to love, and it's okay to be who you want to be, and it's okay to feel that everybody should be treated equally and with respect. Such simple things that I don't know why it's hard for people to understand.”

“I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.”

“They want to hold onto something they never had in the first place. Anybody who claims to have some interest in me as an individual artist or even as part of the Beatles has absolutely misunderstood everything I ever said if they can't see why I'm with Yoko. And if they can't see that, they don't see anything. They're just jacking off to - it could be anybody. Mick Jagger or somebody else. Let them go jack off to Mick Jagger, okay? I don't need it.”

“But it's strange, when you've always been told something is true, like the moon will come back. You need proof. And while you wait, you feel the entire balance of your world just tipping. It's crazy. But when it's over, and it does come back, that's the best, because it's all you want, everything narrows to just that. It's this great rush, like for that one second everything's okay with the world again. It's amazing.”

“So much wanting and longing, clutching, desiring, passion and hatred and terrible need. Here, death was suitable, there was room for it, the grip of life's relentless urges slackened, replaced by this icy simplicity. This wasnt her death. It was his. That was the sad and honest truth. Though it would stay with her, it would be more like a black onyx heart on a silver chain, worn privately, under her clothes, close to her body, all her life. The guilt, the beauty, everything. It wasnt over, it had only begun. Well ok then, Okay.”

“There should be a statute of limitation on grief. A rulebook that says it is all right to wake up crying, but only for a month. That after 42 days you will no longer turn with your heart racing, certain you have heard her call out your name. That there will be no fine imposed if you feel the need to clean out her desk; take down her artwork from the refrigerator; turn over a school portrait as you pass - if only because it cuts you fresh again to see it. That it's okay to measure the time she has been gone, the way we once measured her birthdays.”

“A writer with her work needs to be like a dog with a bone all the time. She needs to know where she's hidden it. Where she's stored the good stuff. She needs to keep gnawing at it, even after all the meat seems to be gone. When a student of mine says (okay, whines) that she's impatient, or tired, or the worst: isn't it good enough? this may be harsh, but she loses just a little bit of my respect. Because there is no room for impatience, or exhaustion, or self-satisfaction, or laziness. All of these really mean, simply, that the inner censor has won the day.”

“It seems to me that you need a lot of courage, or a lot of something, to enter into others, into other people. We all think that everyone else lives in fortresses, in fastnesses: behind moats, behind sheer walls studded with spikes and broken glass. But in fact we inhabit much punier structures. We are, as it turns out, all jerry-built. Or not even. You can just stick your head under the flap of the tent and crawl right in. If you get the okay.”

“I don't know. This college would probably have the same problem the last one did." I frowned. "What's that?" "Homework." "Adrian," growled his father. "It's okay," said Adrian breezily. He rested his arm casually on the table. "I don't really need a job or extra money. After Rose and I get married, the kids and I'll just live off of her guardian paycheck.”

“Okay. That was nice. Clothes. You need clothes before I do something I might not regret. What was your size again, Steve? (Sunshine) Talon. (Talon) Talon. Size. Clothes. Cover him up. I’m going to go get Talon clothes. Keys. Need keys for car. Purse. Money for clothes. Shoes. Must have shoes to shop and keep feet warm. (Sunshine) What about a coat? It is wintertime. (Talon) Coats are good in the winter. (Sunshine)”

“They carried on sniping in the front seat, and Mae turned back to Jamie. "You doing okay?" she murmured. "Yes," said Jamie, a bit too earnestly. "I love you, Mae. Your hair is the color of flamingos! And I love Nick as well." He gazed soulfully in Nick's direction. "Sometimes when you are not being psychotic, you are quite funny. And you!" He regarded Seb for a long moment. "No, I still don't like you," he decided. "Maybe I need another drink." "I don't think so," Nick said.”

“Vishous: "...we both would slaughter anything that so much as startled you." Jane: "I'm scared of mice and spiders. But you don't need to use that gun on your hip to blow a hole in a wall if I ran into one, okay? Havaheart traps and rolled newspapers work just as well. Plus, you don't need a Sheetrock patch and plaster job afterward. I'm just saying.”

“At the end of the day, when I am lying in bed and I know the chances of any of our theology being exactly right are a million to one, I need to know that God has things figured out, that if my math is wrong we are still going to be okay. And wonder is that feeling we get when we let go of our silly answers, our mapped out rules that we want God to follow. I don't think there is any better worship than wonder.”

“Yes, I think it's okay to abandon the big, established, stuck tribe. It's okay to say to them, "You're not going where I need to go, and there's no way I'm going to persuade all of you to follow me. So rather than standing here watching the opportunities fade away, I'm heading off. I'm betting some of you, the best of you, will follow me.”