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Martin Amis

Martin Amis Quotes

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Famous Martin Amis Quotes

“Hamlet doesn't fully see that his metaphysical miseries constitute a subliminal symptom of grief; and this was exactly my case. I thought I was sick, I thought I was dying (maybe that is what bereavement actually asks of you). Literature gives us these warnings about the main events, but we don't recognize the warnings until the events have come and gone. Isabel, my senior in the loss of a sibling, told me that you just have to take it, like weather—yes, like sleet in your face.”

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Book:Koba the Dread: Laughter and the Twenty Million
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“One did not need to know why the ovens were so ugly, so very ugly. A tragically burly insect eight feet tall and made out of rust. Who would want to cook with an oven such as this? Pulleys, plungers, grates and vents were the organs of the machine… The patients, all dead, were delivered on a stretcher-like apparatus. The air thick and warped with the magnetic heat of creation. Thence to the Chamber, where the bodies were stacked carefully and, in my view, counter-intuitively, with babies and children at the base of the pile, then the women and the elderly, and then the men. It was my stubborn belief that it would be better the other way round, because the little ones surely risked injury under that press of naked weight. But it worked. Sometimes, my face rippling peculiarly, with smiles and frowns, I would monitor proceedings through the viewing slit. There was usually a long wait while the gas was invisibly introduced by the ventilation grilles. The dead look so dead. Dead bodies have their own language.”

Dead BodiesWar CriminalAuschwitz Concentration CampFinal SolutionGas Oven
Book:Time's Arrow
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“He frowned. She laughed. He brightened. She pouted. He grinned. She flinched. Come on: we don’t do that. Except when we’re pretending. Only babies frown and flinch. The rest of us just fake with our fake faces. He grinned. No He didn’t. If a guy grins at you for real these days, you’d better chop his head off before he chops off yours. Soon the sneeze and the yawn will be mostly for show. Even the twitch. She laughed. No she didn’t. We laugh about twice a year. Most of us have lost our laughs and now make do with false ones. He smiled. Not quite true. All that no good to think, no good to say, no good to write. All that no good to write.”

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Book:London Fields
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“Perché piangono gli uomini? Per colpa delle lotte e delle gesta e della maratona delle promozioni, perché vogliono la mamma, perché restano ciechi anche col passar del tempo, per colpa di tutte le erezioni che debbono inventarsi sul più bello dal nulla, per colpa di tutto ciò che hanno fatto. Perché non possono più essere felici o tristi – solo sbronzi o pazzi. E perché non sanno che pesci pigliare quando sono svegli. E poi c'è l'informazione, che arriva di notte.”

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Book:The Information
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“It's not that you get a cliché and then wiggle it about or use synonyms. You don't take an ordinary decorative paragraph and give it style. What you're trying to do is be faithful to your perceptions and transmit them as faithfully as you can. I say these sentences until they sound right. There's no objective reason why they're right. They just sound right to me.”

GivingWritingTryingReasonUseSoundStylePerceptionOrdinarySentencesObjectivesReason WhyFaithfulParagraphTransmitBeing FaithfulSynonym
Author:Martin Amis
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“Seeing the world anew, as if it were new, is as old as writing. It's what all painters are trying to do, to see what's there, to see it in a way that renews it. It becomes more and more urgent as the planet gets worn flat and forest after forest is slain to print the paper for people's impressions to be scrawled down on. It becomes harder and harder to be original, to see things with an innocent eye. Innocence is much tied up with it. As the planet gets progressively less innocent, you need a more innocent eye to see it.”

PeopleIfsWorldWayNeedsWritingTryingEyeSeeingPlanetsPaperHarderOriginalsImpressionForestsInnocentPainterInnocenceFlatsPrintTiedWornUrgentSeeing The WorldTied UpInnocent Eyes
Author:Martin Amis
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“The champions of militant Islam are, of course, misogynists, woman-haters; they are also misologists - haters of reason. Their armed doctrine is little more than a chaotic penal code underscored by impotent dreams of genocide. And, like all religions, it is a massive agglutination of stock response, of cliches, of inherited and unexamined formulations.”

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Author:Martin Amis
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“In her final months Princess Diana was being shat upon by the tabloids -- basically for sleeping with an Arab. When she died, these same papers were astonished by the millennial wave of emotionalism that swept the country ... One paper had a print-ready story about what a slag the Princess was, and they had to pull it at the last moment. It was replaced with an image of Diana as an angel, ascending to heaven.”

CountryMomentsStoriesLastsHeavenSleepReadyMonthsPaperAngelDiedFinalsWavePrintPrincessReplacedPapersTabloidsDianaMillennialsAscendingSlag
Author:Martin Amis
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“I had my yob periods. Nothing violent but certainly loutish. I think it's frustrated intelligence. Imagine that if you were really intelligent and everyone treated you as though you were stupid and no one tried to teach you anything -- the sort of deep subliminal rage that would get going in you. But then once it gets going, you make a strength out of what you know is your weakness, which is that you are undeveloped.”

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Author:Martin Amis
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“Suicide is what everyone young thinks they'll do before they get old. But they hardly ever get round to it. They just don't want to commit themselves in that way. When you're young and you look ahead, time ends in mist at twenty-five. 'Old won't happen to me', you say. But old does. Oh, old does. Old always gets you in the end.”

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Book:Other people: a mystery story
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“It's interesting when you're doing signing sessions with other writers and you look at the queues at each table and you can see definite human types gathering there.... My queue is always full of, you know, wild-eyed sleazebags and people who stare at me very intensely, as if I have some particular message for them. As if I must know that they've been reading me, that this dyad or symbiosis of reader and writer has been so intense that I must somehow know about it.”

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Author:Martin Amis
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