“I take it very seriously, music. I think it's one of the tools that a director has with which to kind of paint. The right music can sometimes do five pages of scripted dialogue.” ThinkingKindSometimesFiveDirectorsPagesToolsPaintDialogue Author:Todd Phillips
“What I try to do is make sure that the directors I'm working with are on the same page and want to do the same kind of films. You can really protect yourself as an actor if you work with really good people. It can hide a lot of flaws along the way.” PeopleIfsWayWantTryingKindFilmActorsDirectorsProtectPagesFlawsGood PeopleProtect Yourself Author:George Clooney
“Screenwriting involves an often un-personal process. Co-writers, directors, producers, everyone has a say in what you put on a page, and stories are constantly changing according to budget, actors, and commercial needs. Films are a collaborative process and are also inherently narrative and structured, so you are always working within very tight parameters. Short fiction unleashes a more intimate voice and a passion for language. I believe short narratives can have the same amount of danger and drama as any action film.” NeedsBelieveStoriesActionFilmPassionActorsLanguageI BelieveProcessVoiceFictionDangerAmountDramaDirectorsPagesProducersNarrativeBudgetsIntimateScreenwritingParametersAction FilmsAlways Working Author:Chiara Barzini
“Choosing a director is like choosing a therapist - you want somebody who is going to be a step or two ahead of you, who can interpret and articulate your intentions better than you can, with the benefit of objectivity. I look for a collaborator who is going to help bring to life, on stage, in three dimensions, what is on the page. I wouldn't want a director who imposes conceits or distrusts the text or who has prejudged the characters.” WantLooksTwoCharacterHelpingThreeStepsStageDirectorsBenefitsPagesIntentionDimensionsDistrustObjectivityConceitBetter Than YouTherapistsCollaboratorsThree Dimensions Author:Donald Margulies
“Spoilers are cowardly. They're just people who want to anesthetize themselves against the tension and the experience that the director and the artist have set up. If you go in there knowing what's going to happen, it's like reading the last page of the book. It's just cowardly.” PeopleIfsWantBookHappensLastsArtistReadingKnowingDirectorsPagesTensionCowardlySpoilers Author:Simon Pegg
“Sometimes you have to say the words exactly how they are on the page, but sometimes when you improv, it only helps to get across what's on the page, and I just love working with directors who allow that.” SometimesHelpingDirectorsPages Author:Taraji P. Henson
“If you don't have a brilliant screenplay, then you either have amazing actors who give you the chance to improve whatever is on the page, or an interesting director who has enough faith in the project that they can carry it through and get it somewhere. One of those factors needs to happen. If not, it's sad.” IfsNeedsGivingEnoughHappensActorsChanceInterestingDirectorsProjectsPagesBrilliantFactorsScreenplays Author:Ayelet Zurer
“Director and producers have to take all the risks they can. We developed this film with the possibility to create departing from a blank page and to discover things as the process went along and as we understood the things that at first we couldn't understand in words.” FirstsFilmProcessRiskPossibilityDirectorsPagesUnderstoodProducersBlankBlank PagesDeparting Author:Alex Abreu
“Sharing the same vision for what's on the page is always a good idea. The director's job is to establish what that is and make sure that everyone sticks to it when it comes down to actually executing it.” IdeasJobsVisionDirectorsPagesSticksGood IdeasExecuting Author:Thomas Jane
“Establishing what the vision is and being able to stick to it is the job, and everyone should be on the same page, going in. With that said, first-time director or not, you never know what you're going to get.” KnowsShouldFirstsSaidAbleJobsVisionDirectorsPagesFirst TimeSticks Author:Thomas Jane
“The directors were often really nice and I was well behaved, so I would just sit there in rehearsal. That allowed me to see the process - not just the result, the red carpet, all of the wonderful, fun things that happen afterwards - the nuts and bolts, the nitty-gritty, "Let's try to build this character from the page," tech rehearsals.” TryingWellsCharacterHappensFunProcessResultsNiceWonderfulDirectorsPagesRedNutsCarpetRehearsalReally NiceBoltsRed CarpetFun ThingsNuts And Bolts Author:Condola Rashad
“I think you have to be ready to switch gears and go with the team as a director, as opposed to superimposing your own strict idea of the story. There are very few directors that can micromanage and still come out with something that's living and breathing on a page. Wes Anderson is one of those.” ThinkingStillsIdeasStoriesTeamReadyDirectorsPagesBreathingStrictGears Author:Susan Sarandon
“I think that what kind of is making this different is the creative group of us that has come together and we're all kind of on the same page working towards the same goal. So it is a real collaborative effort of our hearts more than it is oh you have the writer, you have the director, the producer, whatever.” ThinkingHeartKindDifferentRealTogetherGoalEffortCreativeGroupsDirectorsPagesProducersAll KindsCollaborative Effort Author:Boti Bliss