“one of Mr. [Thomas] Hardy's ancestors must have married a weeping willow. There are pages and pages in his collected poems which are simply plain narratives in ballad form of how an unenjoyable time was had by all.” FormMarriedPagesNarrativeAncestorWeepingHardyBalladsWeeping Willows Book:The Strange Necessity: Essays and Reviews Source: The Strange Necessity: Essays and Reviews
“Screenwriting involves an often un-personal process. Co-writers, directors, producers, everyone has a say in what you put on a page, and stories are constantly changing according to budget, actors, and commercial needs. Films are a collaborative process and are also inherently narrative and structured, so you are always working within very tight parameters. Short fiction unleashes a more intimate voice and a passion for language. I believe short narratives can have the same amount of danger and drama as any action film.” NeedsBelieveStoriesActionFilmPassionActorsLanguageI BelieveProcessVoiceFictionDangerAmountDramaDirectorsPagesProducersNarrativeBudgetsIntimateScreenwritingParametersAction FilmsAlways Working Author:Chiara Barzini
“Rigorously investigated and fearlessly reported, A Crime So Monstrous is a passionate and thorough examination of the appalling reality of human bondage in today's world. In his devastating narrative, Ben Skinner boldly casts light on the unthinkable, yet thriving, modern-day practice of slavery, exposing a global trade in human lives. The abuses detailed in these pages are repugnant, but there is hope to be found: by giving voice to the victims, Skinner helps restore their dignity and makes crucial strides toward closing this shameful chapter in history.” WorldGivingHumansHelpingRealityLightTodayFoundVoicePracticeModernCrimePagesDignityAbuseVictimSlaveryTradeCastsPassionateNarrativeHuman LifeCrucialChaptersBondageClosingExaminationMonstrousShamefulThoroughStrideUnthinkableExposingModern DayThere Is HopeToday's WorldHuman BondageSkinnerGiving Voice Author:William J. Clinton
“Once we truly grasp the message of the New Testament, it is impossible to read the Old Testament again without seeing Christ on every page, in every story, foreshadowed or anticipated in every event and narrative. The Bible must be read as a whole, beginning with Genesis and ending with Revelation, letting promise and fulfillment guide or expectations for what we will find there.” WholeStoriesChristianChristImpossibleSeeingEventsPromiseMessagesPagesExpectationsBibleGuidesNarrativeFulfillmentRevelationsTestamentNew TestamentGenesisOld Testament Author:Michael Horton
“Girlchild . . . unfolds a compelling, layered narrative told by a protagonist with a voice so fresh, original, and funny you'll be in awe. This novel rocks . . . In Girlchild Tupelo Hassman has created a character you'll never forget. Rory Dawn Hendrix of the Calle has as precocious and endearing a voice as Holden Caulfield of Central Park. When you finish this novel, your sorrow at turning the last page will be eased by your excitement at what this sassy, talented author will do next.” CharacterLastsNextVoiceForgetNovelRocksSorrowPagesOriginalsNarrativeDawnExcitementParksAweNever ForgetCompellingSassyProtagonistsHendrixEndearingHoldenCentral ParkHolden CaulfieldPrecocious Author:Mameve Medwed
“In the years since The Life and Extraordinary Adventures of Private Ivan Chonkin, Voinovich has sharpened his satire, and Monumental Propaganda is a novel that slashes and rips -- but not on every page. He expands his narrative to accommodate shrewd philosophy and inventive portraiture, a very amusing disquisition on Soviet latrines and a number of outlandish plot developments. In his translation, Andrew Bromfield deftly shifts his tone and tools as required, remaining true to Voinovich's Vonnegut-like playfulness and appreciation of the absurd.” YearsPhilosophyNumbersNovelAdventureDevelopmentPagesToolsExtraordinaryAppreciationAbsurdNarrativePropagandaTonePlotSatireSovietTranslationsRipAmusingAccommodateAndrewPlayfulnessPortraitureOutlandish Author:Ken Kalfus
“I was born in the era of the novel. I've written many, as well as collections of poetry, and essays for mouthing off. I've written to inches, word-counts, page-counts, even the sonnet and the screenplay (which I call a plot poem). I write narrative. That's it. I just want to tell it.” WantWritingWellsBornNovelWrittenPagesErasNarrativeCollectionsPlotInchesEssaysSonnetScreenplays Author:Julianna Baggott
“The future of narrative? Built in, part of the human template. Not going away. The future of the codex book, with pages and so forth? A platform for transmitting narratives.” HumansBookPagesBuiltNarrativeGoing AwayPlatforms Author:Margaret Atwood
“Comics have the page as their real estate so you've only got that space to tell the story on. But the other thing only comics do is to have the words and pictures being simultaneous. Your brain is flicking between them and you can put in some excellent narrative devices; you can off-set things and juxtapose things between word and image.” RealStoriesSpaceBrainPagesNarrativeExcellentDevicesEstatesSimultaneous Author:Leah Moore
“The future of the codex book, with pages and so forth? A platform for transmitting narratives. There are others.” BookPagesNarrativePlatforms Author:Margaret Atwood
“If you read many contemporary literary novels today, you may notice that regardless of the subject matter there's a 'sameness' about them, the way in which thoughts are expressed and ideas, conveyed, the sometimes dogmatic application of what are, at best, useful maxims such as, 'less is more', the narrative techniques utilised, even the same, irritating, stylistic devices scattered like pepper all over the pages.” IfsWayMayIdeasSometimesMatterTodayNovelSubjectsPagesTechniqueContemporaryNarrativeDevicesApplicationMaximsSubject MatterIrritatingSamenessDogmaticPeppersLess Is More Author:Suhayl Saadi
“Cognitive psychology has shown that the mind best understands facts when they are woven into a conceptual fabric, such as a narrative, mental map, or intuitive theory. Disconnected facts in the mind are like unlinked pages on the Web: They might as well not exist.” MindWellsFactsMightPsychologyTheoryPagesNarrativeMapsFabricIntuitiveWovenCognitiveDisconnected Author:Steven Pinker
“Of course I know that the twins are only words on a page, and I'm certainly not the sort of writer who talks to his characters or harbours any illusions about the creative process. But at the same time, I think it's juvenile and arrogant when literary writers compulsively remind their readers that the characters aren't real. People know that already. The challenge is to make an intelligent reader suspend disbelief, to seduce them into the reality of a narrative.” PeopleThinkingKnowsWritingRealCharacterRealityCoursesProcessChallengesCreativeReaderPagesIllusionIntelligentNarrativeArrogantCreative ProcessTwinsDisbeliefSeducingJuvenileHarbour Author:Michel Faber
“Living "in" a story, being part of a narrative, is much more satisfying than living without one. I don't always know what narrative it is, because I'm living my life and not always reflecting on it, but as I edit these pages I am aware that I have an urge to see my sometimes random wandering as having a plot, a purpose guided by some underlying story.” KnowsSometimesStoriesPurposePagesWanderNarrativePlotUrgesSatisfyingLiving My LifeReflectingEdits Book:Bicycle Diaries Source: Bicycle Diaries
“As I see it, a successful story of any kind should be almost like hypnosis: You fascinate the reader with your first sentence, draw them in further with your second sentence and have them in a mild trance by the third. Then, being careful not to wake them, you carry them away up the back alley of your narrative and when they are hopelessly lost within the story, having surrendered themselves to it, you do them terrible violence with a softball bag and then lead them whimpering to the exit on the last page. Believe me, they'll thank you for it.” ShouldFirstsBelieveKindStoriesLastsLostSuccessfulViolenceReaderTerriblePagesDrawsThirdsCarefulSentencesNarrativeBagsBelieve In MeExitSoftballAlleysTranceHypnosisBack Alleys Author:Alan Moore