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“Writing is the basis of all, because creating something that didn't even exist before is like taking an empty canvass. It is a wonderful thing to make something out of nothing. You've got an empty page, you've got an idea, and then you start typing and that is the most thrilling thing of all. And then if it becomes a movie or something else that's a plus, but the original writing of it is what's very exciting.”

“Recently while browsing in a secondhand bookstore I bought a paperback copy of The Intellectual and the City, but I was unable to read it. When I got home I discovered that the original owner had highlighted the entire book - literally. Every line on every page had been drawn through with a bright green Magic Marker. It was a terrifying example of a mind that had lost all power of discrimination.”

“I could never be a part of an adaptation of a film where there's pressure to not disappoint the immense fan base. In those cases, they often wind up with filmed books on tape, quite uncinematic. Having said that, I'd say all the adaptations I've done are quite faithful to the original... You have to pick and choose which storylines and plot threads, because you don't have the time to kill in the film as they have in novels. All those pages with detours and plots and different storylines. But films add a lot, and you gotta keep it moving.”

“Adam Roberts is an original: smart, funny, talented, endlessly inquisitive, an A student and, happily for us, an A+ teacher. Everyone from beginner cooks to sure hands will learn something new on each page. And even if, like Adam's mom's, your stove stores shoes and handbags, you'll still be charmed by Secrets-it's a great read.”

“I remember on a Friday afternoon getting a phone call from Grant Simmons saying, "Mike," we got to be pretty good friends; "Mike, the Sheriff is closing us down on Monday. If you'd like to drive into the studio tomorrow morning, you can have anything you want." So rather than go in and take home piles and piles of cels of Spider-Man what did I take home? Two pages of original art that got sent out to the west coast. Now of course if I'd have taken all the rest of that stuff home I could probably have retired a lot earlier.”

“I think there's great value to the Associated Press and to Reuters, but if you wanted to generate original content, maybe written by local writers, it just takes a little bit of openness to open your pages up to a wider freelance writer pool, and then you might find new voices and a wider array of voices, and definitely more original content that can't be found anywhere else.”

“Could there be a more hilarious sad sack than Duncan Leland, whose trials and tribulations, so wittily conveyed, had me laughing (and wincing) from the first page? Hart's Maine landscape is rich with eccentric characters, dried fish, and other surprising and original treasures. While Duncan sinks, the reader will float on a cloud nine of classy entertainment.”

“Girlchild . . . unfolds a compelling, layered narrative told by a protagonist with a voice so fresh, original, and funny you'll be in awe. This novel rocks . . . In Girlchild Tupelo Hassman has created a character you'll never forget. Rory Dawn Hendrix of the Calle has as precocious and endearing a voice as Holden Caulfield of Central Park. When you finish this novel, your sorrow at turning the last page will be eased by your excitement at what this sassy, talented author will do next.”

“My original book [Straight to the Heart: Political Cantos] was 1,700 pages. The first editor brought it down to 700; there was a lot that didn't make it in. But at last it's finished. I had a hard time signing off on it. And I was worried about it hurting anyone I loved even indirectly. I sat in my room afterwards for two hours wondering what I had done. I wondered about it being judged and if people would understand.”