“What we hope for from the artist is help in discovering the significance of a place. In this sense we would choose in most respects for thirty minutes with Edward Hopper’s painting Sunday Morning to thirty minutes on the street that was his subject; with Hopper’s vision we see more.” HelpingArtistVisionMorningStreetsMinutesSubjectsPaintingPhotographerThirtySundaySignificanceDiscoveringSunday Morning Author:Robert Adams
“For a long time, I kept working at part-time jobs... my goal was to build up enough savings so I wouldn't be kicked out on the streets if I didn't sell enough paintings.” IfsLongEnoughJobsGoalStreetsPaintingLong TimeSellsSellingSavingSavingsPart TimePart Time Jobs Author:Janet Fish
“The idea (for the painting 'Room in New York', 1932, ed.) had been in my mind a long time before I painted it. It was suggested by glimpses of lighted interiors seen as I walked along city streets at night, probably near the district where I live (Washington Square, New York, fh) although it's no particular street or house, but is really a synthesis of many impressions.” MindLongIdeasNightHouseRoomsCitiesStreetsNew YorkParticularPaintingLong TimeImpressionSquaresInteriorsGlimpseSynthesisCity StreetsStreets At Night Author:Edward Hopper
“They [his 'Street Scene' paintings and drawings,he made in Berlin] originated in the years 1911-14, in one of the loneliest times of my life, during which an agonizing restlessness drove me out onto the streets day and night, which were filled with people and cars.” PeopleYearsNightStreetsCarPaintingSceneFilledDrawingDay And NightRestlessnessTime Of My LifeAgonizingPainting And Drawing Author:Ernst Ludwig Kirchner
“I don't approve of what Wall Street and the wealthy have done to this country, but they are the very ones buying my paintings.” CountryDoneStreetsPaintingWallBuyingWealthyCollectors Author:Scott Kahn
“I get inspiration from things that have nothing to do with painting: caricature, items from newspapers, sights in the street, proverbs, nursery-rhymes, children's games and songs, nightmares, desires, terrors. ... That question [why do you paint?] has been put to me before and my answer was, 'To give terror a face.' But it's more than that. I paint because I can't help it.” GivingChildrenHas BeensArtI CanHelpingInspirationFacesDesireSongGamesAnswersStreetsPaintingSightPaintTerrorNewspapersNightmareRhymeItemsBecause I CanNurseryCaricaturesNursery Rhymes Book:Paula Rego Source: Paula Rego
“It's impossible to predict which paintings will last and which won't. In New Orleans I painted on a dilapidated shop in a street littered with abandoned cars and rotting mattresses, then two hours later the piece was gone. It turned out I'd picked the side of a crack house and the proprietor didn't like the attention.” TwoLastsHouseSidesHoursAttentionGonePiecesImpossibleStreetsCarPaintingShopsCracksAbandonedNew OrleansRottingMattresses Author:Banksy
“One teacher told me that my work belonged in the trash. That day I ran out of the classroom and ended up in the library, where there happened to be a black and white photography exhibition of Robert Rauschenberg's photographs of the streets of New York. The subject of his photos were exactly what I was painting about.” BlackWhiteTeacherHappenedStreetsSubjectsNew YorkPaintingPhotographyLibraryPhotographRanClassroomBlack And WhiteTrashExhibitionsBlack And White Photography Author:Jose Parla
“Men who are offenders of street harassment and women who experience street harassment can walk by and feel something about it, because it's out there in the environment where the harassment actually happens. So it's a lot more powerful than an oil painting that's stuck in a gallery or under my bed or in my studio where only a couple of eyes are going to see it, as opposed to it being in an environment where it could possibly effect a change.” MenFeelsHappensEyeWalksPowerfulEnvironmentStreetsEffectsPaintingCoupleBedStudiosOilStuckGalleryHarassmentOffendersOil PaintingStreet Harassment Author:Tatyana Fazlalizadeh
“The invention of photography provided a radically new picture-making process - a process based not on synthesis but on selection. The difference was a basic one. Paintings were made - constructed from a storehouse of traditional schemes and skills and attitudes - but photographs, as the man on the street put, were taken.” MenMadeProcessDifferencesAttitudeTakenStreetsHe ManPaintingSkillsPhotographyPhotographInventionTraditionalSchemesSelectionSynthesis Author:John Szarkowski
“I started getting really curious about art. I read about the Dadaists and the Futurists and the Constructivists - those kind of movements which were reflecting the angst of the people of their times. Their work was trying to lead a movement. I began thinking about what was happening, with painting on the streets and painting on the trains as being similar but also coming from a real, pure space. It wasn't being created by academies. It was a spontaneous combustion of ideas that just happened.” PeopleThinkingTryingKindArtIdeasRealSpaceHappenedStreetsMovementPaintingPureHappeningsTrainCuriousSpontaneousReflectingAcademyAngstCombustionFuturistSpontaneous Combustion Author:Jeffrey Deitch
“While it may seem a little mundane, the material realities of realizing the painting actually have a lot to do with how you should read the painting. For example, we assume that what the model is wearing is what we found him in in the streets. No; in fact, a lot of what happens is that in Photoshop certain aspects are being heightened or diminished. There is no actual material truth in these paintings.” ShouldMayLittlesFactsRealitySeemsHappensCertainFoundRealizingStreetsExamplePaintingMaterialsModelsAspectAssumingMundanePhotoshop Author:Kehinde Wiley
“Banks wont even loan each other money, everybody's going broke, and here we are inside here, these people are going to be out on the street selling apples and pencils and they're still going to be buying paintings for this money, so I don't know what's going on in this world.” PeopleKnowsWorldStillsStreetsThis WorldPaintingSellingBrokeApplesBuyingPencilsLoan Author:Dennis Hopper