“I grew up in the theater, and you can't improvise Shakespeare and Ibsen. You have to speak the language. But obviously, in a contemporary film, there's often room for improvisation and spontaneous things that happen. As long as I know what I'm trying to achieve in the scene, and when something comes up, I know that the response is genuine, I'm comfortable. That's really how I build everything.” KnowsTryingLongHappensFilmSpeakLanguageRoomsAchieveGrewSceneComfortableGrew UpTheaterResponseCome UpGenuineContemporarySpontaneousImprovisationIbsen Author:Victor Garber
“In high school, during lunchtime I would go in the room where the wrestling mats were and try different flips and different moves. Like windmills. I just started mixing martial arts with jazz and contemporary stuff and it would get mashed together and became my style.” TryingArtDifferentSchoolTogetherMovingStuffRoomsStyleHigh SchoolJazzContemporaryMartial ArtsWrestlingFlipMixingWindmillsLunchtime Author:Caity Lotz
“There's not a lot of room for un-ironic emotion in contemporary culture. I think that irony is an important tool in dealing with the world as we find it. It's a tool of protection, but it can also be a tool of incision to get to some truth. But along the way maybe we've lost some of what I think of as the power of straightforward emotion and earnestness and seriousness.” ThinkingWorldWayImportantCultureLostRoomsEmotionToolsProtectionContemporaryIronyIronicSeriousnessStraightforwardEarnestness Author:John Green
“History is so fleeting and we are so busy consuming media and the contemporary culture, voraciously gobbling it up, that we have no room to look back ever, and our young people have a tough time looking back.” PeopleLooksYoungCultureRoomsMediaToughBusyContemporaryLooking BackFleetingTough TimesConsuming Author:Steven Spielberg