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Rooms Quotes

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Rooms Quotes

“I am still so proud to have been a part of something that introduced theater to so many people who weren't exposed to it before. We took Broadway and put it in peoples' living rooms once a week for two seasons. People still come up to me in the street and say, 'I never went to theater before I saw "Smash.'" That's the greatest compliment.”

“I am a product of endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic...In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.”

“Work - get paid; don't work - don't get paid. Everybody is on commission, .. Try not coming to work for six weeks. Work gets paid; don't work, don't get paid. When they earn those dollars, and when you're 4, and you clean up your room, it really means mom cleaned up the room and you did two toys. When you're 14, it means you cleaned up your room. But still, we got the money caused by work, and then, we have teachable moments on how to handle the money they earn.”

“There are two kinds of actors -- one sits in a dressing room waiting for his call and the other gets out into the business and polishes his craft by absorbing everything. I don't know enough, I'll never learn everything I need to learn. When a guy thinks he's already learned it, he can only go backwards.”

“Richard [Griffiths] was by my side during two of the most important moments of my career. In August 2000, before official production had even begun on Potter, we filmed a shot outside the Dursleys', which was my first ever shot as Harry. I was nervous and he made me feel at ease. Seven years later, we embarked on 'Equus' together. It was my first time doing a play but, terrified as I was, his encouragement, tutelage and humor made it a joy. In fact, any room he walked into was made twice as funny and twice as clever just by his presence.”

“And last, my mom. I don’t think you know what you did. You had my brother when you were 18 years old. Three years later, I came out. The odds were stacked against us. Single parent with two boys by the time you were 21 years old. Everybody told us we weren’t supposed to be here. We went from apartment to apartment by ourselves. One of the best memories I had was when we moved into our first apartment, no bed, no furniture and we just sat in the living room and just hugged each other. We thought we made it.”

“You cannot have one bathroom. And it don't matter how much you love your wife and everything, 'cause you wind up with no room at all. You just get a little corner and you've got a toothbrush and your paste and a shaving brush and a razor. And you can never get in there. So you must have two bathrooms. You really must. I think it's essential.”

“Well, it looks like John Boehner will be the new Speaker of the House. He is the son of a bartender, one of 12 children. He grew up in a two room home with just one bathroom, worked his way through school, became the first person in his family to graduate from college. And, sadly, fell in with the wrong crowd and wound up in Congress.”

“Life was so much simpler in pre-video days when everyone refused invitations because the 'Forsyte Saga' was on. Now we all just have a long list of unwatched shows, all of which, it seems, our friends are raving about. I feel as outdated as if I wore a Fair Isle sweater, ate Pot Noodle and had a two-bar electric fire in the sitting room.”

“Otherwise I got out of bed on two strong legs. It might have been otherwise. I ate cereal, sweet milk, ripe, flawless peach. It might have been otherwise. I took the dog uphill to the birch wood. All morning I did the work I love. At noon I lay down with my mate. It might have been otherwise. We ate dinner together at a table with silver candlesticks. It might have been otherwise. I slept in a bed in a room with paintings on the walls, and planned another day just like this day. But one day, I know, it will be otherwise.”

“Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn't until the last weekend of the film's short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.”

“... up to this date, I have never been shut up in a separate room, or hedged off with any observances. My study, all the study I have attained to, is the little 2nd drawing room where all the (feminine) life of the house goes on; and I don't think I have ever had two hours undisturbed (except at night, when everybody is in bed) during my whole literary life.”

“I took a small flat for myself and the children ... My husband took a room in a clean rooming house within easy walking distance of his office. ... It is wonderful sometimes to be alone in the night and just know that someone loves you. In other moods you must have that lover in your arms. Marriage under two roofs makes room for moods.”

“Pride can go without domestics, without fine clothes, can live in a house with two rooms, can eat potato, purslain, beans, lyed corn, can work on the soil, can travel afoot, can talk with poor men, or sit silent well contented with fine saloons. But vanity costs money, labor, horses, men, women, health and peace, and is still nothing at last; a long way leading nowhere.--Only one drawback; proud people are intolerably selfish, and the vain are gentle and giving.”

“Why do people go to the cinema? What takes them into a darkened room where, for two hours, they watch the play of shadows on a sheet? The search for entertainment? The need for a kind of drug? ..I think that what a person normally goes to the cinema for is time: for time lost or spent or not yet had. He goes there for living experience; for cinema, like no other art, widens, enhances and concentrates a person’s experience-and not only enhances it but makes it longer, significantly longer. That is the power of cinema: ‘stars’, story-lines and entertainment have nothing to do with it.”

“God has called us into a place of tenderness, when nobody is looking, when there are no great decisions to make, when it’s just him and me in a hotel room, with no one to pray for, no one to preach to. When it is just two people in a room, that’s where you learn. That’s where you learn his heartbeat. That’s where you learn the presence. That’s where you learn the voice. It’s in the moments when nobody is watching, nobody is evaluating how good you’re doing. When it is just you and him.”

“In the culture of America, in a free culture, you get what you celebrate. And in this culture, we have two obsessions, become a group that becomes a group that celebrates sports heroes and entertainment heroes. There's no room left for kids to see even a little bit of the opportunities to really, really get excited about becoming an inventor, an engineer, or a scientist, a problem solver.”

“As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."”