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“I definitely shut down sometimes. I always just go into my own little cocoon and write, and I surround myself with as much music as possible. The last girlfriend I had, when we broke up, I remember being in a room for days on days on days with my music cranked up, playing songs like Kanye's '808's & Heartbreak.' That playlist just was long!”

“Like plowing, housework makes the ground ready for the germination of family life. The kids will not invite a teacher home if beer cans litter the living room. The family isn't likely to have breakfast together if somebody didn't remember to buy eggs, milk, or muffins. Housework maintains an orderly setting in which family life can flourish.”

“There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film - little scraps of a film, which I set running and which I can reconstruct to the last detail - except their smell.”

“In my view, Jan Masaryk was thoroughly corrupt, who bumped himself off because he saw at last where his moral cowardice and ideological 'Playboyery' had led him. I vividly remember visiting him in Washington, fat, slightly tight, coming into the room looking like a broken-down butler with his master, the little Communist, Clementis, - and saying in a loud voice: 'Has anyone seen an Iron Curtain? I haven't.' Well, he has now.”

“I remember when I got the part in Gentlemen Prefer Blondes. Jane Russell - she was the brunette in it and I was the blonde. She got $200,000 for it, and I got my $500 a week, but that to me was, you know, considerable. She, by the way, was quite wonderful to me. The only thing was I couldn't get a dressing room. Finally, I really got to this kind of level and I said, "Look, after all, I am the blonde, and it is Gentlemen Prefer Blondes!" Because still they always kept saying, "Remember, you're not a star." I said, "Well, whatever I am, I am the blonde!”

“I remember sitting in my room and thinking of where it all went wrong and how I ended up losing control of everything, and I realized I hadn't asked myself one question: And then what? That was my most important lesson. I learned to think about the consequences before the action and that saves me, to this day, from a lot of trouble. If you play it down the line, you'll start making better choices.”

“How truly language must be regarded as a hindrance to thought, though the necessary instrument of it, we shall clearly perceive on remembering the comparative force with which simple ideas are communicated by signs. To say, "Leave the room," is less expressive than to point to the door. Place a finger on the lips is more forcible than whispering, "Do not speak." A beck of the hand is better than, "Come here." No phrase can convey the idea of surprise so vividly as opening the eyes and raising the eyebrows. A shrug of the shoulders would lose much by translation into words.”

“It was one of those times when you can feel the air in a room. Everything stood still. I can remember the T-shirt I was wearing and the bag I was carrying. I don't think I breathed for 15 minutes. It was a devastating moment. They said they wanted me to experience more things. OK. I began contemplating things. Maybe I should take LSD or become a hooker. I left Juilliard and was just meandering and drifting for a while. Thank God I had support from my family and close friends. Bad times.”

“I can remember, with unsteady feet, Tottering from room to room, and finding pleasure In flowers, and toys, and sweetmeats, things which long Have lost their power to please; which when I see them, Raise only now a melancholy wish I were the little trifler once again, Who could be pleas'd so lightly.”

“I think time is a constraint to destroy and then reinvent. If you give me a constraint, I'll accept it. But I always try to move it around, or to readapt it. Ecco! If you lock me in a room, well I'll go out through the window! I always remember Achille Castiglioni, one of my mentors, and he always said that in industrial design you have the idea, the fantasy, the concepts - that's the marmalade! - but the constraint of the brief is the bread. You need both in order to find structure for your ideas.”

“It is curious, isn't it, that things you know well never look dirty and dilapidated-other people's old furniture looks shabby and moth-eaten. “I would never have that horrible old couch in my room,” you say. But your own old couch is every bit as bad and you are not disgusted with its appearance; it is your friend, you see, and you remember it when it was new and smart. Friends that you have known for a long time and love very dearly never seem to grow old.”

“Literature is the one place in any society where, within the secrecy of our own heads, we can hear voices talking about everythingin every possible way. The reason for ensuring that that privileged arena is preserved is not that writers want the absolute freedom to say and do whatever they please. It is that we, all of us, readers and writers and citizens and generals and goodmen, need that little, unimportant-looking room. We do not need to call it sacred, but we do need to remember that it is necessary.”

“I never went to school for that. In high school we had photography, which was great. That was another moment of discovery. I had a great teacher - I can't even remember her name now. I ended up going to boarding school for my last high school years and they had a dark room there. Of course there was curfew; you were supposed to be in bed at a certain time. But I would sneak out and sneak into the dark room and work all night.”