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Posters Quotes

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Posters Quotes

“I think you're going to like these," she said, placing the stack on the table. "The whole class spent Monday and Tuesday painting them up." Raymond and Sean lifted up the top poster and stared. ARSE PRESENTS SUPER HALLOWEEN PARTY FOOD, DRINKS, GREAT MUSIC HALLOWEEN TRAMPOLINE COSTUME CONTEST FOR THE MYSTERY PRIZE DON'T MISS IT! She smiled proudly. "What do you think?" "Nice," said Sean, wondering why Raymond had suddenly gone so silent and so pale. Finally Raymond found his voice. "But Ashly, why does it say" —he pointed to the top line— "that?" "That? That's us. Our initials—Ashly, Raymond, Sean, and Eckerman—I couldn't remember his first name." "I get it," said Sean. Raymond was positively white. "The other kids who worked on them—they didn't—say anything about the posters? The wording maybe?" "The whole class really liked them," said Ashley. "I think everyone's favorite part was the initials thing. They thought it was clever." Raymond looked up at the ceiling. "Oh, it was.”

“What he found was astonishing. Every wall was plastered with posters and flyers. Some were like the ones he'd seen on the brick wall at King's Cross; others seemed to advertise specific market traders. Some were old and faded; some seemed much more recent. Some sounded quite ordinary-- Cocksfoot & Sable: Fine Ales and Cheeses; Clancy's Rustic Furnishings-- and some were more unusual. Tom frowned over Yellow Belle's Night-Woven Yarns, and felt his heart beat faster at Spindle Ermine's Love Spells. What kind of a market was this? He thought he understood Bird-Cherry's Flowers and Fruits, or Straw Dot's Most Accurate Timepieces, and even Scarlet Tiger Sleeve Tattoos-- but what was he to make of Pretty Pinion Wing Repairs or Mother Shipton, Laundress of Dreams, or Pale Eggar's Glamours and Charms, or Dusky Sallow's Evercoats?”

“There is something uniquely depressing about the fact that the National Portrait Gallery’s version of the Barack Obama “Hope” poster previously belonged to a pair of lobbyists. Depressing because Mr. Obama’s Washington was not supposed to be the lobbyists’ Washington, the place we learned to despise during the last administration.”

“I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.”

“Perhaps we have failed as human beings. Perhaps we have embarrassed ourselves to the natural world. We have been rigorous and willful in all the wrong ways. But it doesn't have to be this way. Maybe you don't want to deal with (marching), the permanent marker and poster board. But try something else. Carry someone's groceries. Chat with the custodian in your office building. Donate blood. Live in Rwanda for a year. Write letters to the Department of Buildings. Learn to knit. It is only going to get better from here on out.”

“The success [of the X-Men], I think, is for two reasons. The first is that, creatively, the book was close to perfect ... but the other reason is that it was a book about being different in a culture where, for the first time in the West, being different wasn't just accepted, but was also fashionable. I don't think it's a coincidence that gay rights, black rights, the empowerment of women and political correctness all happened over those twenty years and a book about outsiders trying to be accepted was almost the poster-boy for this era in American culture.”

“it is only on posters and in advertisement pages that Americans have those chubby cheeks, expanding smiles, smooth looks, and faces flushed with well-being. In fact, almost all are at odds with themselves; drink offers a remedy for this inner malady of which boredom is the most usual sign: as drinking is accepted by society, it does not appear as a sign of their [Americans'] inability to adapt themselves; it is rather the adapted form of inadaptability.”