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Brando Quotes

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Brando Quotes

“Brando was giving a dinner for some Hollywood guests, and his housekeeper had left the main dish on the kitchen counter. When Brando went to get the roast, he found the platter empty, and out of the corner of his eye he saw Toto (his enormous pet St. Bernard that he had in the 1960s) heading out the back door. Brando ran after him and wrestled the roast away, put it back on the platter, poured gravy over the dents made by the dog’s teeth, and served it to his guests”

“Brando had twelve children—only half of them his biological offspring—whom he supported and whose educations he financed. In some cases, he was deceived into believing that children were his by mothers seeking financial support, but he ended up caring for the children despite this. In others, he assumed financial responsibility for children he became fond of, whether those of assistants or even of ex-wives.”

“A Murphy [Eddie Murphy] movie is like a Sidney Poitier comedy - he's that intensely good... He revolutionized acting. He's literally black Brando. Before Eddie Murphy, there were two schools of acting for a black actor: Either you played it LIKE THIS or youplayeditlahkdis. He was the first black guy in a movie to talk like I am talking right now. That did not exist for black actors before him.”

“I felt as if I was the brunt of some massive joke at my expense: Can you believe this loser can be connected to Marlon Brando and Katharine Hepburn? But through the years I have learned to tolerate and sometimes embrace the idea. People have asked me if I consider it an honour. Well, all it indicates is that I've been in a lot of movies with a lot of people. And besides that there are plenty of other actors that would work.”

“Well, it was interesting because when I was going to do it the first time in my head was Leonardo DiCaprio [for Chris] and Marlon Brando was going to play the character that Hal Holbrook eventually played. But then when it wasn't to be and there was no promise that it ever would be I think some part of me didn't want to attach specifics to it anymore - actors or anything else - because I wanted to see it made that much more badly.”

“If 'The Wild One' were filmed today, Marlon Brando and the Black Rebel Motorcycle Club would all have to wear helmets. I used to be afraid that when (Hells) Angels became movie stars and Cal the hero of the book, the bikerider would perish on the coffee tables of America. But now I think that this attention doesn't have the strength of reality of the people it aspires to know, and that as long as Harley-Davidsons are manufactured other bikeriders will appear, riding unknown and beautiful through Chicago, into the streets of Cicero.”

“Lars is played by Ryan Gosling, the Prince of Tics, whose idea of acting is to wait a few beats before reacting to other people's remarks, as if acting were merely a matter of adhering to the seven-second delay rule. Jack Nicholson has made a career out of doing this sort of thing, as did Paul Newman, as did Marlon Brando (who the other two learned it from), but they didn't do it all the time and they were more fun to look at... Lars And The Real Girl joins a number of other recent films in the category of motion pictures where the director doesn't know that his protagonist is unsympathetic.”

“I got in my car and followed [Marlon Brando] down to Chinatown, and got about twelve shots. Brando called me over and said, What else do you want that you don't have already? And I said, I'd like a picture without the sunglasses. He said no and punched me right in the jaw, It was so fast I didn't see it coming. Blood was gushing out of my mouth. I drove to Bellevue. The jawbone and five teeth were broken... To this day he has scars on his knuckles from my teeth.”

“The fact is, though, what I think we really like is Marlon Brando, Al Pacino, Robert De Niro and James Gandolfini. We like what the media has created of the mob bosses in movies and TV and books, because it's something the average person never comes into contact with, it's almost as outwardly outlandish as a sexy vampire, and so we can romanticize it, it's non-threatening.”

“You look at the absolute scorn that gets poured on a fallen celebrity, whether it's Tom Cruise or Lindsay Lohan or Marlon Brando, or Elvis when he got fat. They're not allowed the dignity of ordinary failure. And I think that plays into people's notions about Los Angeles, too. It's not allowed to be a regular city with problems.”

“Well, there's a great Marlon Brando quote that to do something well you have to spiritually marry your director. You have to be making the same movie they are in that you have to try to help their imagination be better, and more full, and more fully realized, but you can't have a different imagination because then you end up - and you see this a lot in movies - where it feels like they were making five different films.”

“Gregory Peck was so charismatic. I saw a woman fall down - fall down! - when she saw him in a restaurant. And Brando. We were in London, and by then he was about 380 pounds. There was a gorgeous waitress, and off he went, in direct competition with me for this young girl's attention, speaking French, making her blush.”