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Rooms Quotes

“Right mindfulness does not simply mean being aware; it is like creating a work of art. You can therefore trust what you are doing; you are not threatened by anything. You have room to dance in the space, and this makes it a creative situation. The space is open to you.”

“When you're more mature, you do start telling the truth, in odd situations. "I'm sorry, I've broken a glass here. Is that expensive? I'll pay for it. I'm sorry." And you do that so that people in the room might go, "What a strong personality that person has. I like to have sex with people with strong personalities."”

“Our chaotic economic situation has convinced so many of our young people that there is no room for them. They become uncertain andrestless and morbid; they grab at false promises, embrace false gods and judge things by treacherous values. Their insecurity makes them believe that tomorrow doesn't matter and the ineffectualness of their lives makes them deny the ideals which we of an older generation acknowledged.”

“The creative process is not like a situation where you get struck by a single lightning bolt. You have ongoing discoveries, and theres ongoing creative revelations. Yes, its really helpful to be marching toward a specific destination, but, along the way, you must allow yourself room for your ideas to blossom, take root, and grow.”

“It seemed like so much of romantic relationships today have to do when the people are not in the same room. Whether it's texting or emailing or Facebooking, there's a kind of distance between the participants. I think it's sort of shifted the energy of that first romantic meeting, where it's quicker, perhaps more desperate, more energetic, in a whole different way, and it's resulted in a situation where people seem to be sometimes more comfortable having a sexual relationship than an emotional one.”

“I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room... you stumble around until you find the walls and then inch your way to the light switch.”

“I've done so many other projects where you're in a room with a reader and you're acting your lines out: 'We have to get out of here! Any minute the building will explode!' And then the reader says: "Yes...we have to get... out of here." So it's not easy to be in the moment in that kind of situation. Reading with the entire cast in the room for The Clone Wars makes the experience much more organic and I love that.”