“So now, how did God produce this world?... The fable is that he breathed upon us. In his breath, his wind, came moisture and things began to grow... a message of hope. Nothing physical. How do you intend for your breath to become a work of art? The only way I can see it is that you prevent your breath from becoming a structure. As soon as your breath takes on the form of a room, you are a carpenter; you're not God.” WorldWayArtI CanFormGrowsRoomsThis WorldProduceWindBecomingMessagesBreathsStructureWorks Of ArtFablesCarpenterMoistureMessage Of Hope Author:Milton Resnick
“I think time is a constraint to destroy and then reinvent. If you give me a constraint, I'll accept it. But I always try to move it around, or to readapt it. Ecco! If you lock me in a room, well I'll go out through the window! I always remember Achille Castiglioni, one of my mentors, and he always said that in industrial design you have the idea, the fantasy, the concepts - that's the marmalade! - but the constraint of the brief is the bread. You need both in order to find structure for your ideas.” IfsThinkingNeedsGivingTryingWellsSaidIdeasRememberMovingOrderRoomsAcceptingFantasyDesignConceptsWindowGive MeStructureBreadMentorLocksConstraintsAchillesIndustrial DesignMarmalade Author:Patricia Urquiola
“Stories have tangents; they open up and become different things. You can still have a structure, but you should leave room to dream. If you stay true to your ideas, filmmaking becomes an inside-out, honest kind of process. And if it's an honest thing for you, there's a chance that people will feel that, even if it's abstract.” PeopleIfsFeelsShouldKindStillsIdeasDifferentStoriesDreamProcessChanceRoomsHonestStructureAbstractDifferent ThingsFilmmakingStay True Book:David Lynch: Interviews Source: David Lynch: Interviews
“...in your living room, you're scared shitless. And that's just where the power structure wants you. In the middle of a riot, I've never found anybody who's chickenshit. The way to eliminate fear is to do what you're most afraid of.” WayWantFoundRoomsMiddleStructureScaredRiotLiving Room Book:Do it; scenarios of the revolution Source: Do it; scenarios of the revolution
“In the summer after kindergarten, a friend introduced me to the joys of building plastic model airplanes and warships. By the fourth grade, I graduated to an erector set and spent many happy hours constructing devices of unknown purpose where the main design criterion was to maximize the number of moving parts and overall size. The living room rug was frequently littered with hundreds of metal “girders” and tiny nuts and bolts surrounding half-finished structures. An understanding mother allowed me to keep the projects going for days on end.” EndsMovingJoyMotherPurposeUnderstandingHoursRoomsNumbersHalfDesignBuildingProjectsSummerModelsStructureSizeFinishedTinyGradesDevicesNutsMetalsAirplaneFourthPlasticCriteriaLiving RoomBoltsKindergartenFourth GradeNuts And BoltsMoving PartsHappy HourWarships Author:Steven Chu
“Do not be afraid of large patterns, if properly designed they are more restful to the eye than small ones: on the whole, a pattern where the structure is large and the details much broken up is the most useful...very small rooms, as well as very large ones, look better ornamented with large patterns.” IfsWellsLooksWholeEyeRoomsDesignBrokenStructurePatternsDetailsInterior DesignBroken UpRestfulSmall Rooms Author:William Morris