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Song Quotes

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Song Quotes

“Rush like a river from the highest mountain, drink from the fountain and stop your counting. What kind of wine does he have in his tavern, oh so enchanted and sing like a mad man. Mad with the love of a wife for her husband, child or mother, sister or brother... sing for the Most High, sing for no other. We are all notes in this eternal song, God plays his flute and we all dance along.”

“A bizarrerie of fires, cunabulum of light, it moved with a deft, almost dainty deliberation, phasing into and out of existence like a storm-shot piece of evening; or perhaps the darkness between the flares was more akin to its truest nature swirl of black ashes assembled in prancing cadence to the lowing note of desert wind down the arroyo behind buildings as empty yet filled as the pages of unread books or stillnesses between the notes of a song.”

“Claudia Rankine's Citizen comes at you like doom. It's the best note in the wrong song that is America. Its various realities-'mistaken' identity, social racism, the whole fabric of urban and suburban life-are almost too much to bear, but you bear them, because it's the truth. Citizen is Rankine's Spoon River Anthology, an epic as large and frightening and beautiful as the country and various emotional states that produced it.”

“As the Christian's sorrows multiply, his patience grows, until, with sweet, unruffled quiet, he can confront the ills of life, and, though inwardly wincing, can calmly pursue his way to the restful grave, while his old, harsh voice is softly cadenced into sweetest melody, like the faint notes of an angel's whispered song. As patience deepens, charity and sympathy increase.”

“I opened the doors of my heart. And behold, There was music within and a song, And echoes did feed on the sweetness, repeating it long. I opened the doors of my heart. And behold, There was music that played itself out in aeolian notes: Then was heard, as a far-away bell at long intervals tolled.”

“My father urged Alan [Lomax] not to repeat the mistakes of the European folklorists who, a century ago, had collected these peasant songs and then arranged them for part choir and accompanied them on piano, and then told the young people of their country, "Don't change a note, this is our sacred heritage." Father said, whether it's a fiddle tune or a gospel song, learn it right off the record from the people who grew up with it. Don't just learn it from a piece of paper.”

“I've also learned to only write songs and melodies that really work for my voice and that I won't have issues doing live. Because you can get really, really comfortable in the comping process: out of five takes, maybe one of those high notes that you struggled to do, nailed it, and then live you're having that challenge of really having to recreate that.”

“I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.”

“Seek to make life henceforth a consecrated thing; that so, when the sunset is nearing, with its murky vapors and lowering skies, the very clouds of sorrow may be fringed with golden light. Thus will the song in the house of your pilgrimage be always the truest harmony. It will be composed of no jarring, discordant notes; but with all its varied tones will form one sustained, life-long melody; dropped for a moment in death, only to be resumed with the angels, and blended with the everlasting cadences of your Father's house.”