“A sound does not view itself as thought, as ought, as needing another sound for its elucidation, as etc.; it has not time for any consideration--it is occupied with the performance of its characteristics: before it has died away it must have made perfectly exact its frequency, its loudness, its length, its overtone structure, the precise morphology of these and of itself.” DoeMadeSoundViewsOughtPerformancesDiedStructureCharacteristicsEtcConsiderationLengthPreciseFrequencyMorphology Book:Silence: Lectures and Writings Source: Silence: Lectures and Writings
“There are things about how a note sounds on a violin that are really analogous to the human voice - you have a frequency and the air, and then you have a timbre which really is overtones - and making those things work together is one thing. The other thing is mechanical: If you can use your hands and arms to create sound on a fiddle, then learning to sing with it is like adding a third body part. And it's all training.” IfsHumansUseBodyHandsTogetherSoundVoiceOne ThingAirArmsTrainingThirdsNotesWorking TogetherFrequencyViolinFiddleHuman VoiceTimbre Author:Bruce Molsky