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Sound Quotes

“Diatonic, he heard the word in his head. Chromatic, pentatonic, hexatonic, heptatonic, octatonic, each iteration of the scale opening innumerable possibilities for harmony. He thought about the Pythagorean major third, the Didymus comma, the way the intervals sound out of tune rather than as though they were different notes. This, he thought, was where his brilliance at mathematics bled into his love of music; music was the realm in which his mathematical brain danced.”

“There’s only one Earth, and it’s tiny, but evil human leaders avoid problems they don’t want to resolve by giving them names which make the problems sound like they’re taking place in a different world: they make people not care about other people dying of starvation by calling the place the dying live “the third world.”

“When children ask me what's my favorite [role], I say to them, "Imagine having ten beautiful new puppies in a basket and you had to say which one is your favorite, and you simply couldn't because you love them all for different reasons." POPPINS was such a learning experience, as was THE SOUND OF MUSIC. I tell you, every one of them just helped me grow in what I do and did and each one was such a phenomenal working experience.”

“What is at the higher levels of meaning consciousness is like a hyperspace in which each point is equidistant from the other and where 'the center is everywhere and the circumference is nowhere'? The mythologies of the occult seem like baroque music: there is an overall similar quality of sound and movement, but, upon examination, each piece of music is unique; Vivaldi and Scarlatti are similar and different.”

“Amis is acutely, vibrantly sensitive to the different registers of laughter. He knows that it can be the most affirming and uniquely human sound, and also the most sinister and animalistic one. He understands every note of every octave that separates the liberating shout of mirth from the cackle of a bully or the snigger of a sadist.”

“"Motherboard," for me, has four different levels: the bottom part is the water, vegetation, and growth. The second part is the world with figures and animals; there's chaos and civilization. The third part is the digital zone - these red things are turning into really loud digital sounds. Then the fourth level is like ether and things turning into air. This idea of how we're becoming partly digitalized is really interesting to me.”

“Press junkets are incredibly annoying. You sit in a chair for three to six hours and have different journalists shuttle in for three minutes at a time, asking cheesy movie questions to get a quick sound bite - and that's their only objective. You can't really move or eat. You're just stuck there. It's pressure, constant pressure.”

“I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.”

“Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.”

“When you are writing a spoken word poem, the tools you're working with are your voice, your body, how it's going to sound to someone when you're saying it out loud. Which is different from when you're writing it on the page. That toolbox becomes how does this look visually on the page, how does this read among pages, how is this in relation to poems that are before it or after it. I don't think one is better or more successful than the other. You've just gotta think about "what are the tools I'm using, and how are they most effective in this form?"”

“The trees change their voices in autumn as well as their shapes. No longer do they whisper to one another in muffled tones as they did in summer; they talk in a different leaf-language now. The wind moves through the boughs like fingers drawn across the strings of a harp filling the air with the harsh dry sound of sapless leaves. It is the main theme of the autumn music, this murmuring counterpoint of dead leaves.”

“I've noticed the sound of the golf ball being hit by the golf club is different, and much more realistic, with the hearing aids. The sound with the hearing aids makes sense, and better represents what I know is happening to the golf ball. So you could say that the hearing aids help give me confidence regarding my golf game.”

“But reading is different, reading is something you do. With TV, and cinema for that matter, everything's handed to you on a plate, nothing has to be worked at, they just spoon-feed you. The picture, the sound, the scenery, the atmospheric music in case you haven't understood what the director's on about... The creaking door that tells you to be stiff. You have to imagine it all when you're reading.”

“My music is just fresh. Everybody say it's a breath of fresh air because it's not like the normal Houston sound you would hear. I am from Houston and I use that same slang and I carry myself the same way as a Houstonian and I'm a Houston dude born and raised, but the music is a lil bit different due to the things I've seen and the things I've learned and put that into my music.”