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Stars Quotes

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Stars Quotes

“The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies.”

“I would just say that I could share what served me, which was trying to find the best material that I could possibly find and make it better. When other celebrities and sports stars, or people that are successful in another area, cross over into movies, they're always encouraged to bring that same tenacity and that same relentless drive that you had to make it. You have to apply that to acting.”

“TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.”

“My first big acting performance was in the Marilyn Monroe biography piece, and it required frontal nudity. I talked to Mira Sorvino, my co-star, about how nervous I was because I didn't know how my mom would react. She said, 'Can I be completely honest with you? I've seen your mom in interviews, and she seems pretty screwed up. I don't think there's much you could do to shock a broad like that.' And from that moment on it was big nipples to the wind!”

“Having grown up in the theater family, having done a huge amount of acting from a very little boy to precocious teenager in Shakespeare festivals that my father produced, I went off to college and fell in with the theater gang. I was already an experienced actor. I became a kind of campus star. I heard all this applause and laughter.”

“I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.”

“The truth is, the older you get, the less variety of parts you are offered. If you're a star and you've spent most of your career being able to take your pick of the litter, you notice when the offers start to diminish. You're too old to play leads, so you're offered the supporting role - but many stars don't want to make that transition. They see it as a sign of symbolic impotence. And that the audience will no longer regard them as a star. I love acting, and I'm not going to determine what I do based on what I fear other people might think. I do what I want to do.”

“Critics are giving marks for originality, acting, photography and scripting, while mass audiences are more drawn to familiarity of genre, stars they would like to have sex with or plots that are more likely to make their dates have sex with them. Reviewers are doing their day's work, cinema-goers are escaping from theirs: this leads to an inevitable difference of response. It is, though, wrong to conclude that reviewers are completely useless. Books, movies and shows may be critic-proof, but the egos and psyches of the people who make them very rarely are.”