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Nipples Quotes

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Nipples Quotes

“Out in the field, sitting on the grass, the hard-core omnivores are hunched around and over the cadaver of a creature they've courageously downed, greedily feasting on its flesh, while furtively looking around in all directions.. one of them has thrown in a few wilted sprigs of asparagus and a bucketful of ketchup to sweeten the deal. The vegetarians have caught an animal, chased her baby over to the omnivores, and are suckling from her nipples, while others feast on a basket of gathered birds eggs. The vegans have just ploughed through a mono crop of wheat, and soy and are enjoying their tofu burgers. Meanwhile those radical fruitarian extremists are in the cherry trees, looking on in wide-eyed bewilderment..”

“My first big acting performance was in the Marilyn Monroe biography piece, and it required frontal nudity. I talked to Mira Sorvino, my co-star, about how nervous I was because I didn't know how my mom would react. She said, 'Can I be completely honest with you? I've seen your mom in interviews, and she seems pretty screwed up. I don't think there's much you could do to shock a broad like that.' And from that moment on it was big nipples to the wind!”

“One may decide that the nipple most nearly resembles a newly ripened raspberry (never, be it noted, the plonk of water on a pond at the commencement of a drizzle, a simple bladder nozzle built on the suction principal gum bubble, mole, or birth ward, bumpy metal button, or the painful red eruption of a swelling), but does one care to see his breakfast fruit as a sweetened milky bowl of snipped nips? no.”

“People who get implants, it's so depressing, you know... People - I don't know. The route of that, you know, maybe they want more love or attention, or what it is, but they always go for the most obvious place, you know? Here... Well if you really want more attention, why not get them in your eyes? And then move your eyes down to where your nipples used to be, put your breasts up on your head, everybody will pay attention!”

“In the first season (of 'Californication'), when we had the threesome with the nipple clamps, I was, like, 'I don't get this, I don't know how you're gonna do it.' And then, all of a sudden, there's a crane with a camera hanging over our heads, and you're, like, 'Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?' And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.”

“Griffin, please,” she whispered. “Do you want me?” he asked. “Yes!” She tossed her head restlessly. She’d explode if he didn’t give her release soon. “Do you need me?” He kissed her nipple too gently. “Please, please, please.” “Do you love me?” And somehow, despite her extremis, she saw the gaping hole of the trap. She peered up at him blindly in the dark. She couldn’t see his face, his expression. “Griffin,” she sighed hopelessly. “You can’t say it, can you?” he whispered. “Can’t admit it either.”

“The man is as useless as nipples on a breastplate.”

“He didn't see anything." She rolled to her feet. "I was in your bed! We could have scarred him for life!" "Grace, we weren't doing anything. Well, I wasn't. You were snoring." "I don't--" She smoothed her dress down and searched out her sandals, shoving her feet into them. She glanced at herself in the mirror over his dresser and groaned. Hair, wild. Lips, swollen. Face, flushed. Nipples, hard. "Dammit!" She clapped her hands over them. "It's like they're broken!”

“Simon stopped breathing until her forefinger touched his nipple, and then his hand shot up to cover hers. "I want you," he said. Her eyes flicked downward, and her lips curved ever so slightly. "I know." "No," he groaned, pulling her closer. "I want to be in your heart. I want-" His entire body shuddered when their skin touched. "I want to be in your soul.”

“The abstract, especially in those rough sketches, is very important to me, perhaps because of my advertising background, where layout is so important. Sometimes those first few lines cut the paper into such satisfying shapes that I don't want to go on, but I always do, adding nostrils and nipples and bootstraps until I have filled the paper up as usual.”