“There were all us baby boomers who had a grammar school education, started to learn, then went on the pill, the whole thing, and so there are today a lot more women writers, editors, producers, and so a lot more women's stories. God, the BBC's practically run by women.” WholeStoriesRunningTodaySchoolBabyProducersEditorsGrammarPillsSchool EducationBoomersBaby BoomerGrammar School Author:Julie Walters
“About a year ago I got really exhausted from reading bad scripts and I know that I am a writer and that I have stories to tell, so I thought, 'Let's do this!' So I'm co-writing a screenplay now with another screenwriter and loving it. Absolutely loving it. And I would like to be the producer on the project and of course the lead is me.” KnowsWritingYearsStoriesCoursesReadingProjectsYears AgoScriptsProducersExhaustedScreenplaysScreenwriters Author:Kerry Washington
“There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.” PeopleStoriesStuffFiveCoupleHundredTwentiesProducersDepartmentCommentFifteenRogerTwenty Five Author:John Sayles
“Los Angeles people are incapable of passively mainlining TV and movies. Here you have to read who produced or directed every episode, who wrote it, who had guests shots and whether you know them personally and if they like you. You have to figure out who everybody's agent is and whether yours is better. You not only know but deeply care about the difference between such job titles as Producer, Supervising Producer, and Executive Story Editor. ... So while the rest of the country is lying stupid in a media-induced coma, people in L.A. are in constant withdrawal.” PeopleIfsKnowsCountryStoriesCareJobsLyingDifferencesMediaStupidFiguresTvsLike YouShotsHollywoodConstantProducersAgentsTitlesExecutivesLos AngelesEditorsGuestsEpisodesIncapableWithdrawalComaJob Titles Book:Get Your Tongue Out of My Mouth, I'm Kissing You Good-bye Source: Get Your Tongue Out of My Mouth, I'm Kissing You Good-bye
“Screenwriting involves an often un-personal process. Co-writers, directors, producers, everyone has a say in what you put on a page, and stories are constantly changing according to budget, actors, and commercial needs. Films are a collaborative process and are also inherently narrative and structured, so you are always working within very tight parameters. Short fiction unleashes a more intimate voice and a passion for language. I believe short narratives can have the same amount of danger and drama as any action film.” NeedsBelieveStoriesActionFilmPassionActorsLanguageI BelieveProcessVoiceFictionDangerAmountDramaDirectorsPagesProducersNarrativeBudgetsIntimateScreenwritingParametersAction FilmsAlways Working Author:Chiara Barzini