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Stories Quotes

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Stories Quotes

“When I go to the movies, one of my strongest desires is to be shown something new. I want to go to new places, meet new people, have new experiences. When I see Hollywood formulas mindlessly repeated, a little something dies inside of me: I have lost two hours to boors who insist on telling me stories I have heard before.”

“Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.”

“[It is hard to know what is good luck and what isn't and therefore whether we should be happy or sad about it. Only time will tell. For example...] The Talmud relates a story about two people who wanted to travel by boat. One broke his foot and was unable to make the trip, while his friend got on the boat. The one who missed the boat cursed his misfortune. A few days later, however, he heard that the boat sank and all the passengers drowned.”

“The fascinating thing about the studio was that there was no story department. They would put a little notice up on the bulletin board saying: 'The next Oswald will take place at the North Pole. Anybody having any gags, please turn them in before such a date.' If you turned in gags regularly, the way Tex Avery, Cal Howard, Jack Carr and two or three others of us did, you'd be called into the gag meeting. The group would go into Walt's office and talk about whatever the subject of the cartoon was. Walt would put it into some kind of form and that was the story--no scripts, no storyboards.”

“My problem with the wedding industry started when I studied in college and liked to have the television on in the background, and 'A Wedding Story' on TLC always came on, and I'd get irritated that the story of two people making a lifelong commitment to each other could be encapsulated in a half-hour show about the party they throw.”

“We read literature for a lot of reasons, but two of the most compelling ones are to get out of ourselves and our life stories and – equally important – to find ourselves by understanding our own life stories more clearly in the context of others.”

“Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.”

“Honor thy Father and thy Mother was once said, but then someone said: What if I don't know your Father? A still voice said: Does that makes him the devil? He is still someone's Father, his name has been changed, but his story is the same. Why hate when we should Celebrate. In this world of two's, you got the Mourning Son, and the Daughter of the Night. They both equal light once you make it through the night. Now, wake the funk up!”

“In the early years of the Roaring Twenties, American women not only won the right to vote but they also earned headlines along side their male counterparts during the Golden Age of American sports. Michael Bohn shares an engaging story of how two sports heroines, tennis player Helen Wills and swimmer Gertrude Ederle, helped embolden women to seek self-fulfillment by challenging the status quo.”

“Darkroom: A Memoir in Black and White is remarkable for its truth-telling about two important issues concerning Alabama's past and present: the civil rights movement and immigration. These stories, rendered through the words and eyes of a young Latina girl who came from Argentina to Marion, Alabama, are made vivid and immediate through Weaver's highly accessible drawings and dialogue. This is a book-about maturation, family, education, and social change-every schoolchild, parent, and citizen should experience.”

“All of women's stories in the 19th century had either one of two endings: you either had the good Jane Austen marriage at the end and you were happy; or you had the terrible Henry James savage downfall because of your own hubris as a woman, or you've made some great error leading you down a path to ruin. One is the story of love that's successful and the other is the story usually of reckless love that goes terribly wrong that destroys the woman.”

“I made a very bad mistake; I miscounted these scraps of information on the record as 92, and in continual homage to this man who had been so influential to me, I began creating or constructing my own films on this so-called "magic" number of 92 ... but when I eventually made a film about John Cage and met him, I explained this to him, and he found it very amusing because there are only 90 stories on the two sides of the record, and I'd based three years of my filmic career on this mathematical error!”

“When I came to faith, I thought I would have to stop being an actor, because it's all about artifice and manipulation. But we're living in a world where God doesn't really have an influence, unless it's fundamentalists, so I'll always be an outsider because of my faith. And when you think about it, faith and acting are all about stories, so the two are not mutually exclusive.”

“Twenty-two pages is not a lot of space. Believe me. Having written a bazillion comics, I still find myself more often than nine pages into a script and realizing to my horror that I'm only about a quarter of the way through the story I wanted to tell, and the next thing you know, I'm making fresh coffee and tearing up the floorboards to rewrite.”

“It's a great historical joke that when the Spanish met the Aztecs, it was a blind date made in serve-you-right heaven. At the time, they were the two most unpleasant cultures in the entire world, and richly deserved each other. Still, the story of how stout Cortes blustered, bullied and bludgeoned his way to collapsing an entire empire with a handful of contagious hoodlums is astonishing.”

“If, when we compare two versions of a story, the second known to be a retelling of the first, and find that the second has more of a miraculous element, we may reasonably conclude we have legendary (or midrashic or whatever) embellishment. The tale has grown in the telling. This sort of comparison is common in extrabiblical research and no one holds that it cannot properly indicate legend formation there.”