“I quite enjoy fame, especially when you go to conventions in America where they treat you like a god with stretch limos and the whole fame thing, but then when you come back to Britain, you end up changing in a toilet in a theatre off West End and that's really good, because that is what it's about.” EndsWholeAmericaEnjoyFameTreatsWestTheatreBritainConventionsToiletsLimosWest End Author:Sylvester McCoy
“I also remember when I watched Henry: Portrait of a Serial Killer [1990] at, like, age 15. That scared the crap out of me. Because it didn't operate inside the usual conventions of the horror genre in the way that I could accept. I can accept horny teenager counselors being murdered at camp. But I couldn't accept the derangement of Henry: Portrait of a Serial Killer, which was that anyone could be murdered at any moment - whole families, with no build-up music and no meaning. It terrified me.” WayI CanWholeMomentsAgeRememberAcceptingHorrorScaredTeenagerGenreCampsUsualConventionsKillersCrapPortraitsTerrifiedRemember WhenSerialsSerial KillerWhole FamilyHornyCounselorHorror Genre Author:Christopher Bollen
“There is a case for saying that the creation of new aesthetic forms has been the most fundamentally productive of all forms of human activity. Whoever creates new artistic conventions has found methods of interchange between people about matters which were incommunicable before. The capacity to do this has been the basis of the whole of human history.” PeopleHumansHas BeensMatterWholeFormFoundCasesCreationActivityCapacityBasesMethodArtisticProductiveConventionsAestheticOriginalityHuman HistoryHuman ActivityInterchange Author:John Zachary Young
“Post-Modern space is historically specific, rooted in conventions, unlimited or ambiguous in zoning and irrational or transformational in its relation of parts to whole……. …skew or distorted spaces, created by sharp angles which exaggerate perspective…. …always keep a mental coordinate system no matter how free- form and baroque they become. The reference plane is always an implied frontality, and the route through the building or the curvilinear elements then relate to this conceptual cage” MatterWholeFormSpaceModernBuildingPerspectiveElementsRelationPostsRelatePlanesConventionsRootedIrrationalRoutesAngleUnlimitedCagesAmbiguousImpliedCoordinatesBaroque Author:Charles Jencks
“The purpose of art is... to press forward into the whole of the external world and the soul, to see and communicate those objective realities within it which rule and convention have hitherto concealed.” WorldArtSoulWholeRealityPurposeArt IsPressesCommunicateObjectivesConventionsConcealedObjective RealityPurpose Of Art Book:The Nature of Sympathy Source: The Nature of Sympathy
“The immaterial told me that I was indeed an occidental, a right-thinking Christian who believes in the 'Resurrection of the flesh'. A whole phenomenology then appeared, but a phenomenology without ideas, or rather without any of the systems of official conventions. What appeared was distinct from form and became Immediacy. 'The mark of the immediate' - that was what I needed.” ThinkingBelieveIdeasWholeChristianFormNeededMarkFleshOfficialsConventionsResurrectionImmediacyPhenomenology Author:Yves Klein
“On the surface the avant garde as a whole seems united primarily in terms of what they are against: the rejection of social institutions and established artistic conventions, or antagonism towards the public (as representative of the existing order). By contrast any positive programme tends to be claimed as exclusive property by isolated and even mutually antagonistic sub-groups. So modern art appears fragmented and sectarian, defined as much by manifestos as imaginative work.” ArtWholeSeemsOrderSocialTermUnitedGroupsModernInstitutionsPropertySurfaceDefinedArtisticRejectionConventionsContrastIsolatedRepresentativesImaginativeExclusiveProgrammesAvant GardeModern ArtFragmentedAntagonismManifestosSocial Institutions Author:C. D. Innes