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Andrew Graham-Dixon

Andrew Graham-Dixon Biography

Art Historian

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“Caravaggio’s art is made from darkness and light. His pictures present spotlit moments of extreme and often agonized human experience. A man is decapitated in his bedchamber, blood spurting from a deep gash in his neck. A man is assassinated on the high altar of a church. A woman is shot in the stomach with a bow and arrow at point-blank range. Caravaggio’s images freeze time but also seem to hover on the brink of their own disappearance. Faces are brightly illuminated. Details emerge from darkness with such uncanny clarity that they might be hallucinations. Yet always the shadows encroach, the pools of blackness that threaten to obliterate all. Looking at his pictures is like looking at the world by flashes of lightning.”

ArtCaravaggio
Book:Caravaggio: A Life Sacred and Profane
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“The edge of a painting is its frontier... where the artist negotiates his boundaries with the real world... where art begins and ends and where the eye enters and leaves the image. It determines, in an infinitely subtle number of ways, how you read a painting - which, unlike a book or a piece of music, has no pre-determined beginning or end.”

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Author:Andrew Graham-Dixon
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“Many of Bonnard's later paintings are shot through with a powerful sense of morbidity. The self-portraits he painted after catching sight of himself in the various mirrors in the house - the mirror in the bathroom or the mirror in his bedroom, still lit from above by a single accusatory light bulb - are almost appallingly raw.”

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Author:Andrew Graham-Dixon
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