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Ani DiFranco

Ani DiFranco Quotes

Singer-songwriter

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Famous Ani DiFranco Quotes

“I speak without reservation, from what I know and who I am. I do so with the understanding that all people should have the right to offer their voices to the chorus whether the result is harmony or dissonance. The worldsong is a colorless dirge without the differences that distinguish us, and it is that difference which should be celebrated not condemned.”

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“I always try and stay one step ahead of people, not looking like I looked like last week, so I can be as anonymous as possible and part of it is just for me. It is fun to just come up with new and bizarre colors for each area of your body and things like that, but there are some parts of it that I just keep wanting to negate myself. I hate waking up in the morning and recognizing the woman in the bathroom mirror.”

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“I love to exercise my creativity in many ways but as each year of specialization goes by I feel further and further from my other creative selves. I used to be able to see myself doing many things and sometimes I still long for a job that involves less pressure and grappling with people but, as you say, I am one of the lucky ones so I try to just focus on feeling lucky and carry on!”

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“I hope progressive ways of thinking will permeate the "mainstream" more and more in the coming years. Goddess knows we have endured a very long spell (thirty plus years) of regressive thinking and hyper conservativism dominating our culture and national discourse. It necessitates risk taking and rule breaking by people in all walks of life to swing that pendulum back though.”

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“There are so many things that we have to be very concerned about. But I always come back to feminism. People look at me sideways now and are like, "With everything going on, the destruction of the environment, these endless wars, this capitalism that has a stranglehold on our culture and our world and you're talking about feminism still?"”

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“My mother was a feminist, and she gave me some tools of self-possession and self-empowerment, but now that I have lived here for forty-three years, it's, like, whoa, there is just so much more to do, other than become myself. I'm still talking about it. I still drop the P-word, "patriarchy," on unsuspecting people in everyday conversations.”

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“People who are just starting out are always sort of coming to me for advice as the example of "independent girl," and lots of people ask, well, how did you get the booking agent or the national distribution or the tours? And I look at them like, "Good lord! Relax!" I mean, how I did it was to not care about it and to not even think about it for years and years. All I thought about was getting the next little gig in the little bar, and I get this sense that people want me to give them the secret formula or the magic trick to make it all happen.”

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“Criticism is hard for me but people find hard to believe because they think I'm very tough, very strident, that I tell everybody where to get off, and how. But I've actually got a really thin skin. I don't know. It's quite pathetic. So, yeah, it's hard for me to take criticism. But I also kind of have this sense of humor on overdrive, so I don't take any of it seriously. So that sort of saves me, the fact that I think it's just all kind of funny.”

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“Like a lot of people, I had this naive hope that Barack Obama would fix everything quickly. You know, the culture of celebrity in this country leads us away from democratic ways of thinking and into this hero worship. And so of course, one man cannot swoop in and fix everything on his own. It's much more complicated and difficult than that, and progressives in this country since then have had to come to terms with the fact that we need to do more than actually get out of our house and vote. It's an ongoing process to turn the tide.”

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“Music has as many roles as people make it. I traveled to Burma once years ago to witness the people's struggle for democracy, meet some people and learn some stuff. And I had this incredible experience over and over again in the Burmese jungle or refugee camps or health clinics with very oppressed, very devastated people. I show up, and I'm white and I'm American and I'm privileged and I have an experience that these people can't fathom and vice versa. There was this huge chasm when I met people for all good reasons.”

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“we can't afford to do anyone harm because we owe them our lives each breath is recycled from someone else's lungs our enemies are the very air in disguise you can talk a great philosophy but if you can't be kind to people every day it doesn't mean that much to me it's the little things you do the little things you say it's the love you give along the way”

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“and half of learning to play is learning what not to play and she's learning the spaces she leaves have their own things to say and she's trying to sing just enough so that the air around her moves and make music like mercy that gives what it is and has nothing to prove she crawls out on a limb and begins to build her home and it's enough just to look around and to know that she's not alone up up up up up up up points the spire of the steeple but god's work isn't done by god it's done by people”

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“I love my country, By which I mean, I am indebted joyfully, To all the people throughout its history, Who have fought the government to make right, Where so many cunning sons and daughters, Our foremothers and forefathers, Came singing through slaughter, Came through hell and high water, So that we could stand here, And behold breathlessly the sight, How a raging river of tears, Cut a grand canyon of light... Why can't all decent men and women, Call themselves feminists? Out of respect, For those who fought for this...”

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