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Ann M. Martin

Ann M. Martin Books

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Belle Teal

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Here Today

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Poor Mallory!

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“Is everybody going along with this?” “Yeah. So you have to, too.” Ellie paused. “No, I don’t,” she said after a moment. “What?” “I don’t have to go along with it.” “But I just said that everybody else is.” “I don’t care. Holly’s my best friend. Why would I do something like that to her?” “Because she’s weird. And if you don’t go along with the rest of us, everyone will think you’re weird, too.” “They already think I’m weird.” “Well, maybe you could change that.” “I’d rather be weird than mean.”

“A couple of pieces of advice for the kids who are serious about writing are: first of all, to read everything you can get your hands on so you can become familiar with different forms of writing: fiction, non-fiction, poetry, journalism. That's very important. And also keep a journal. Not so much, because it's good writing practice. Although it is, but more because it's a wonderful source of story starters.”

“It was the kind of terrified look that reminds you that no matter how rational or grown up a person might seem, some part of him is absolutely sure - knows - that an evil other-world exists just outside of our regular, everyday world. And that although we don't expect that world to collide with our calm, predictable one...well, really, at any moment that is exactly what might happen.”

“Some days,' I say, 'I feel like I don't belong anywhere in that world. That world out there. 'I point to Grant. 'People walk down our street and people drive down it and people ride their bicycles down it and all of them, even the ones I know, could be from another planet. And I'm a visiting alien.' And aliens don't belong anywhere,' Adam finishes for me, 'except in their own little corners of the universe.' Right,' I say. ~pgs 57-58 Hattie and Adam on alienation”

“I am fairly certain that my independent, high-spirited grandmother must have had a childhood similar to Betsy Ray'sAs I read about the School Entertainment and ice cream socials, about ladies leaving calling cards and the milkman with his horse-drawn wagon, I felt that I was having an unexpected and welcome peek into Granny's childhood-a gift to me from Maud Hart Lovelace”