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Azar Nafisi

Azar Nafisi Quotes

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Famous Azar Nafisi Quotes

“I was reminded of a painter friend who had started her career by depicting scenes from life, mainly deserted rooms, abandoned houses and discarded photographs of women. Gradually, her work became more abstract, and in her last exhibition, her paintings were splashes of rebellious color, like the two in my living room, dark patches with little droplets of blue. I asked about her progress from modern realism to abstraction. Reality has become so intolerable, she said, so bleak, that all I can paint now are the colors of my dreams.”

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Book:Reading Lolita in Tehran: A Memoir in Books
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“«Signora, le posso parlare un attimo?» [...] C'era un problema con Gatsby. Lo diceva per il mio bene. Per il mio bene? Che strana espressione. Con tutto il rispetto che aveva nei miei riguardi [...] aveva una lamentela da fare. Contro chi, e perché a me? Contro Gatsby. Gli domandai se avesse per caso sporto una formale denuncia contro il signor Gatsby, e gli rammentai che in ogni caso sarebbe stato inutile, dato che la morte estingue il reato. Ma c'era poco da scherzare. «No, professoressa, non contro il signor Gatsby; contro il romanzo». Era immorale. Insegnava ai giovani le cose sbagliate; avvelenava la loro mente - dovevo essermene senz'altro accorta anch'io. Veramente no, gli dissi. Gli rammentai che Gatsby era un'opera di narrativa, non un manuale di istruzioni per la vita. Di sicuro mi rendevo conto, insistette, che c'era chi prendeva a modello quei romanzi e quei personaggi. Forse il signor Gatsby andava bene per gli americani, ma non per la nostra gioventù rivoluzionaria. [...] Per Nyazi fra la realtà di tutti i giorni e quella immaginata da Fitzgerald non c'era differenza. Il grande Gatsby era un'opera emblematica, parlava dell'America, e l'America per noi era come il veleno. Era così e basta. Dovevamo insegnare agli studenti iraniani a combattere l'immoralità americana. Era serissimo, e in assoluta buona fede.”

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Book:Reading Lolita in Tehran: A Memoir in Books
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“Visa for Avalon is a testament to the power of fiction. It illuminates the truth at the heart of what is commonly called reality. This account of lives transformed and ruined by the triumph of a totalitarian rule is a timely reminder of how moral and intellectual laziness and apathy can pave the road to the reign of terror brought on by such a system.”

HeartRealityFictionMoralIntellectualAccountsTerrorTriumphApathyTransformedLazinessReignTestamentRuinedRemindersVisaTimelyAvalonReign Of TerrorIntellectual Laziness
Author:Azar Nafisi
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“In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. This affirmation lies in the way the author takes control of reality by retelling it in his own way, thus creating a new world. Every great work of art, I would declare pompously, is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life. The perfection and beauty of form rebels against the ugliness and shabbiness of the subject matter.”

WorldWayArtMatterRealityFormLyingFictionSubjectsHorrorEssentialsCreatingPerfectionBetrayalWorks Of ArtRebelNew WorldCelebrationInfidelityAffirmationUglinessGreat WorkDefianceSubject MatterGrimRetellingTake ControlTransienceTehranInsubordination
Author:Azar Nafisi
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“We do not read in order to turn great works of fiction into simplistic replicas of our own realities, we read for the pure, sensual, and unadulterated pleasure of reading. And if we do so, our reward is the discovery of the many hidden layers within these works that do not merely reflect reality but reveal a spectrum of truths, thus intrinsically going against the grain of totalitarian mindsets.”

IfsRealityOrderTurnsReadingPleasureFictionPureDiscoveryRewardsMindsetSensualLayersGrainGreat WorkSpectrumReplicaPleasure Of Reading
Author:Azar Nafisi
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